| Title |
Pages / Words |
Save |
| Art In Baroque Period |
2 / 566 |
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| Portrait of the Painter Paris von Gutersloh by |
2 / 412 |
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| im not scared questions |
6 / 1664 |
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| Farming |
1 / 114 |
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| The Humanistic View |
2 / 462 |
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| The Aeneid |
5 / 1269 |
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| physical punishment |
3 / 791 |
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| My Name is Asher Lev |
2 / 345 |
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| The Picture of Dorian Gray |
3 / 796 |
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| mohammed |
2 / 456 |
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| Garden Of Promise (Art) |
2 / 511 |
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| Epiphany-Dubliners |
2 / 400 |
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| The Trinity by El Greco |
2 / 341 |
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| Renior - The Apple Seeder |
2 / 580 |
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| Epic Hero |
2 / 540 |
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| Dante |
4 / 965 |
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| The Love Song Of J. Alfred Prufrock Allusion Analysis |
2 / 404 |
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| women studies |
1 / 212 |
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| Canterbury Tales Essay |
2 / 371 |
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| Setting Vs Story - Dante's Inferno And Sartre's No Exit |
5 / 1364 |
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| im not scared |
5 / 1401 |
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| Characteristics Of A Comedy |
5 / 1201 |
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| Art from Baroque Period through the Postmodern Era |
5 / 1455 |
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| Holiday In The Country Painting Review |
3 / 698 |
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| The Just Punishments In Dante’s Inferno |
4 / 1025 |
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| bless me, ultima |
3 / 796 |
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| Hovey and Beard |
1 / 275 |
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| Manet's Olympia |
3 / 652 |
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| The Scream |
1 / 238 |
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| High Rennaisance Art |
2 / 493 |
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| rodrigo's reconcile |
2 / 581 |
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| idk |
2 / 328 |
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| washington allston |
2 / 466 |
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| Georges Barque |
2 / 575 |
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| Merrymakers at Shrovetide vs Interrupted Sleep |
3 / 749 |
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| My Last Duchess |
2 / 373 |
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| Basil's Changes As Related To Wilde's Opinion On Art |
3 / 854 |
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| Basil's Changes As Related To Wilde's Opinion On Art |
3 / 854 |
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| Picture of Dorian Gray |
2 / 542 |
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| STUDent |
5 / 1391 |
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| 1776 |
3 / 793 |
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| The Middle Age Artist Giotto |
3 / 623 |
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| A Picture of Dorian Gray |
3 / 875 |
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| Dante |
6 / 1609 |
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| Jan Vermeer (1632 ? 1675) |
1 / 253 |
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| young man desires position |
3 / 647 |
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| Artwork Comparison Of Davinci And Michaleangelo |
2 / 424 |
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| Motif In One Hundred Years Of Solitude |
3 / 712 |
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| Hopper And Suciu Painting Paper |
4 / 957 |
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| frida kahlo |
2 / 494 |
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| Iconographical Analysis: Di Nardo, 'adoration Of The Magi' |
5 / 1211 |
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| The Giver |
1 / 300 |
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| The Dead |
2 / 501 |
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| diego velazquez's, las meninas |
3 / 612 |
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| The Patriot Essay |
1 / 298 |
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| lion king |
3 / 823 |
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| Dante And Melville: Flawed Virtue, Truth And Justice |
7 / 1821 |
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| Art Critque of Pissaro's : A winter morning |
3 / 840 |
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| Why Van Gogh's Starry Night is Expressionist |
3 / 882 |
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| Film Review: The Patriot |
3 / 613 |
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| Dantes Inferno |
6 / 1779 |
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| The Giver |
3 / 710 |
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| Art Exhibit |
2 / 474 |
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| My view Of Hell based on Dantes inferno |
2 / 524 |
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| Leonardo da Vinci |
1 / 300 |
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| Seven Deadly Sins |
3 / 654 |
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| Joan Of Arc By Jules Basten Lepage |
2 / 534 |
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| Joan Of Arc By Jules Basten Lepage |
2 / 534 |
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| Art Analysis Paper |
4 / 911 |
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| Art Analysis Paper |
4 / 911 |
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| Still Life with Fruit |
2 / 588 |
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| Auguste Rodin |
4 / 1128 |
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| Coming out on the Mountain |
6 / 1567 |
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| The Birth of Venus |
7 / 2052 |
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| The Giver Essay |
2 / 381 |
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| The Mission |
5 / 1404 |
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| Mark Messersmith |
2 / 448 |
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| The Giver: A Critique |
3 / 665 |
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| Josephine Tey: Alan Grant |
2 / 472 |
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| venus |
4 / 964 |
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| The Giver |
3 / 847 |
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| rennaissance and mannerist |
2 / 493 |
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| Abstraction As Representation |
4 / 1091 |
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| Interpretating Art |
2 / 487 |
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| Torment Of St. Anthony By Giovanni |
2 / 573 |
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| Landscape with St. John on Patmos |
2 / 590 |
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| Dante's Inferno |
6 / 1787 |
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| Upcominjg Artist |
2 / 450 |
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| Blindfold |
2 / 496 |
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| picasso movie |
2 / 334 |
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| Dubliners |
3 / 827 |
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| Georges Braque |
2 / 322 |
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| Inferno |
5 / 1465 |
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| bAROQUE AND ROMANTICISM |
1 / 226 |
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| Bedroom at Arles |
4 / 1009 |
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| Leonardo Da Vinci |
4 / 967 |
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| assumption of the virgin |
4 / 1116 |
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| The Patriot |
4 / 951 |
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| Subway Scene |
2 / 487 |
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| Analysis of the Coronation of Napoleon |
3 / 854 |
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| The Story Of Painting: A Critical Review |
2 / 432 |
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| Humanism |
2 / 304 |
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| Painting |
3 / 650 |
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| Attitudes and Views of Classical Authors Through the Eyes of Leonardo Bruni and Francis Petrarch |
6 / 1522 |
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| Art Paper Essay |
4 / 1172 |
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| dantes inferno |
5 / 1236 |
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| Contempary Artforms |
2 / 390 |
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| Degas Art Paper 1 |
3 / 787 |
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| The Giver - Main Character |
3 / 673 |
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| Leonardo DaVinci |
2 / 525 |
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| Comparing The Last Supper |
5 / 1235 |
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| Leonardo da Vinci |
2 / 536 |
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| Angels |
2 / 581 |
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| Prehistoric Art |
2 / 347 |
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| Frida Kahlo's, The Love Embrace of the Universe |
1 / 257 |
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| Evaluation of Claude Monet’s ‘La Pointe de la Heve, Sainte-Adresse’ |
1 / 293 |
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| The Patriot |
2 / 525 |
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| salvador dali |
2 / 489 |
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| Islam |
2 / 450 |
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| sibyl vane |
1 / 156 |
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| Random Notes |
3 / 756 |
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| Anselm Kiefer |
3 / 849 |
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| Guilt, Duty, And Unrequited Love |
8 / 2207 |
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| Exhibition on the Depiction of the Annunciation by Early Northern Rena |
3 / 656 |
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| Ethics |
3 / 687 |
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| Presence Of Angels |
2 / 525 |
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| Juan Gris |
2 / 375 |
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| Picture of Dorian Gray vs. My Last Duchess |
2 / 307 |
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| Guernica |
4 / 1165 |
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| Dali Museum |
2 / 562 |
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| Musee des Beaux Arts |
3 / 643 |
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| The Portrait of a yong man |
3 / 864 |
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| Our Purpose In Life |
3 / 725 |
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| The Divine Comedy vs. Paradise Lost |
11 / 3034 |
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| Jackson Pollock |
2 / 389 |
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| art review |
2 / 508 |
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| Passing of Eclipse |
4 / 999 |
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| Trifles |
4 / 1050 |
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| Michelangelo and Da Vinci |
2 / 460 |
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| Regnault's Automedon with the Horses of Achilles |
3 / 775 |
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| Genealogy of Morals By Nietzsche |
2 / 523 |
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| Philadelphia Art Museum |
2 / 532 |
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| Im Not Scared Issues |
1 / 281 |
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| Themes Of The Love Song Of Alf |
3 / 683 |
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| Unrealistic When Over Exaggerated |
2 / 430 |
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| The Impact of War on Art |
3 / 719 |
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| The Creation of Adam vs. The Virgin of the Rocks |
2 / 479 |
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| The Giver |
4 / 1053 |
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| Two Latin American Writers |
3 / 851 |
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| An Art Criticism |
2 / 548 |
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| Edgar Degas |
2 / 351 |
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| Giotto |
1 / 171 |
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| The Mission |
2 / 376 |
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| Childhood Experience |
2 / 544 |
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| Jet Sking |
3 / 615 |
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| golf |
2 / 418 |
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| Muthos |
6 / 1613 |
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| A CELEBRATION OF LIFE |
3 / 739 |
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| Autumn Rhythm |
5 / 1367 |
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| Art Analysis Salvador Dahli |
4 / 999 |
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| Musee des Beaux Arts |
1 / 194 |
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| Diego RodriGuez |
2 / 327 |
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| Jesus Of Nazareth |
5 / 1255 |
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| Art in Person |
2 / 560 |
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| Art Analysis of The Luncheon of the Boating Party and A Sunday on La Grande Janette |
3 / 612 |
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| dante |
6 / 1636 |
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| Dante Alighieri: A Poetic Descent Into Metaphorical Hell |
6 / 1652 |
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| the starry night |
3 / 836 |
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| Lake George |
4 / 932 |
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| An Analysis Of The Use Of Form |
3 / 762 |
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| Vincent Van Gogh |
2 / 567 |
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| Terorism |
2 / 562 |
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| Australia - A Multicultural Nation & The Opening Of Parliament |
1 / 298 |
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| Girl In Hyacinth Blue - How Different Owners Express Feelings Toward A |
4 / 1134 |
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| The Patriot |
3 / 747 |
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| Egyptian and Minoan Painting |
4 / 977 |
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| European History World War Ii |
1 / 183 |
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| Expressionism: Van Gough's Starry Night |
2 / 380 |
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| Mastering a skill |
3 / 690 |
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| Art Review: A review of "The Boys are Back in Town" at the Romo Gallery |
3 / 721 |
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| Diana and Endymion |
4 / 1194 |
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| The Giver (synopsis of main character) |
3 / 792 |
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| Art History |
3 / 655 |
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| Michelangelo |
2 / 535 |
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| Comparison of Death of a Virgin Paintings |
3 / 744 |
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| Donatello |
3 / 687 |
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| Art |
2 / 381 |
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| Andrew Wythe |
3 / 653 |
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| Andrew Wythe |
3 / 653 |
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| Louis XIV |
1 / 262 |
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| Daughters of Edward Darley Boit by John Singer Sargent |
3 / 741 |
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| Dante's Inferno |
7 / 1869 |
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| Dante's Inferno |
7 / 1869 |
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| Life in the Iron Mills |
3 / 680 |
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| Dante's Francesca and Paolo: "She Loves You, Yeah, Yeah, Yeah" |
5 / 1386 |
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| Business |
3 / 671 |
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| The Renaissance (1400-1520 Ad) |
2 / 576 |
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| Leorardo Da Vinci |
1 / 200 |
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| DIE FLEDERMAUS |
3 / 751 |
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| Amedeo Modigliani |
3 / 690 |
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