| Title |
Pages / Words |
Save |
| Michelangelo |
3 / 624 |
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| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| The Life and Art of Salvador Dali |
2 / 537 |
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| Before I Die |
5 / 1284 |
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| Art Critique |
2 / 515 |
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| ferer |
3 / 624 |
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| Georgia O'keeffe |
3 / 674 |
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| Marquex, one of these days |
4 / 1127 |
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| Amedeo Modigliani |
3 / 690 |
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| Autobiographical Element |
1 / 142 |
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| Biography of Toulouse Lautrec |
2 / 375 |
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| Claude Monet Bio |
2 / 365 |
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| Daliism |
2 / 578 |
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| David Hockney |
2 / 383 |
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| Donatello |
3 / 687 |
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| Guernica |
2 / 446 |
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| Humanist |
2 / 393 |
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| Leonardo da vinci |
2 / 531 |
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| Loretta Lux |
2 / 379 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Michelangelo |
2 / 535 |
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| Muhammad Bio |
2 / 588 |
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| Phenomenal |
1 / 259 |
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| Robert Longo |
2 / 443 |
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| Salvador Dali |
2 / 430 |
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| The Making Of Orphans |
7 / 1816 |
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| Van Gogh biography |
1 / 271 |
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| Vermeer |
3 / 648 |
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| warhol trascending |
2 / 488 |
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| "vision of Hell" Salvador Dali |
4 / 1015 |
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| Far From The Madding Crowd |
2 / 517 |
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| im not scared. |
1 / 294 |
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| Nathaniel Hawthorne |
3 / 810 |
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| The Giver Author, SEtting, Theme, Connection to Self, Connection ot another book read, Conflict, Protagonist, Antagonist, and Summary |
2 / 456 |
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| Understanding And Evaluating Art |
4 / 1019 |
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| Words and the way we see art |
3 / 815 |
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| A drill sergeant at first |
2 / 410 |
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| Business |
3 / 671 |
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| ms |
2 / 502 |
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| A 13th Century Blockbuster Hit |
8 / 2118 |
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| All For One, or One For All |
5 / 1232 |
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| Andrew Wythe |
3 / 653 |
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| Art and Literature, A Comparison |
4 / 954 |
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| Auguste Rodin and Geoges Rouault |
3 / 680 |
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| Comparative Analysis Of Dante's Inferno And Purgatorio |
10 / 2887 |
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| DIE FLEDERMAUS |
3 / 751 |
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| Descriptive Analysis |
2 / 331 |
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| Eliot |
1 / 89 |
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| Fear and Edvard Munch painting |
2 / 501 |
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| Gabriel Gracia Marquez Thesis |
2 / 585 |
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| Goblin Market |
10 / 2916 |
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| Imagery and Allegory |
7 / 2038 |
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| Irony analysis for \ |
4 / 1001 |
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| Life in the Iron Mills |
3 / 680 |
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| character flaws and tragedy |
8 / 2265 |
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| gabriel garcia marquez |
1 / 180 |
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| hurrr |
1 / 290 |
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| i'm not scared |
5 / 1389 |
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| landscape with the fall of icarus |
3 / 828 |
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| Lives on the Boundary |
4 / 1200 |
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| Memorable Assignments |
4 / 959 |
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| My experience |
3 / 869 |
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| Pride In Poetry |
3 / 611 |
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| Resons for Dante's Divine Comedy |
11 / 3029 |
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| Santa Ana |
2 / 468 |
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| Socrates |
2 / 382 |
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| The Concepts Of Crime And Punishment In Roald Dahl Fiction |
3 / 613 |
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| The giver Reading log ch. 1-19 |
4 / 999 |
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| VISUAl |
2 / 516 |
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| Vanitas |
3 / 662 |
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| shakespeare sonnet 18 |
2 / 344 |
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| speech |
1 / 259 |
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| the collector |
2 / 547 |
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| Aboriginals |
2 / 442 |
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| An Examination of the Evolution of Modernist Painting |
2 / 535 |
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| Annunciation in Northern Renaissance Art |
8 / 2317 |
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| Art History |
2 / 529 |
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| Art History |
2 / 529 |
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| Art history |
2 / 370 |
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| art paper georgia O'Keefe |
1 / 258 |
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| Byzantium: faith and power 1261 ? 1557 |
2 / 435 |
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| Comparison between Jan van Eyck and Fra Angelico |
3 / 836 |
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| Comparison of Death of a Virgin Paintings |
3 / 744 |
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| Dante's Francesca and Paolo: "She Loves You, Yeah, Yeah, Yeah" |
5 / 1386 |
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| Daughters of Edward Darley Boit by John Singer Sargent |
3 / 741 |
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| Dead |
2 / 455 |
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| Document Analysis |
2 / 427 |
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| dali's "toreador" |
6 / 1793 |
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| E Tail |
1 / 256 |
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| Florence and the Renaissance Art Era |
2 / 437 |
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| Genre And Landscape Painting |
4 / 1057 |
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| History of Oil Painting |
3 / 900 |
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| History of Oil Painting |
3 / 853 |
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| islam |
3 / 756 |
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| Last Supper Comparisons |
2 / 381 |
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| Leonardo da Vinci |
4 / 1017 |
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| Louis XIV |
1 / 262 |
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| Montaigne |
1 / 234 |
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| Nude Woman in a red Armchair |
2 / 513 |
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| Pieter de Hooch and Gerrit Dou: 17th century Dutch painters |
2 / 478 |
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| Post-Impressionist Movement |
2 / 529 |
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| picaso |
2 / 395 |
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| Romanticism Art |
3 / 611 |
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| Romanticism Arts |
3 / 864 |
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| Samual Bak |
2 / 590 |
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| The Abolition of Man |
2 / 313 |
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| The European Renaissance |
2 / 326 |
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| The Islamic Religion |
2 / 486 |
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| The Representation Of The Female Form In Art. |
4 / 1139 |
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| Thomas Hart Benton's June Morning. |
2 / 429 |
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| the painting of the sistine chapel |
4 / 999 |
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| Van Gogh's Self Protrate |
4 / 1056 |
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| Masaccio - Innovator Of Perspe |
3 / 697 |
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| "Golfe Juan" by Raoul Dufy |
3 / 638 |
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| A Birthday |
2 / 426 |
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| A Critique of Starry Night and Vincent's Chair |
2 / 540 |
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| ART CRITICISM PAPER |
4 / 1076 |
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| Abstraction |
3 / 664 |
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| Alo |
3 / 705 |
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| Andrew Wythe |
3 / 653 |
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| Annunciation |
8 / 2295 |
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| Art Museum Visit |
3 / 662 |
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| Art and Culture Today |
2 / 305 |
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| Art |
2 / 381 |
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| art appreciation |
3 / 834 |
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| art |
1 / 240 |
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| Claude Joseph Vernet's Shipwreck |
3 / 802 |
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| Color Field Painting |
4 / 958 |
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| Compare and Contrast 2 works from the MFA in Boston |
2 / 571 |
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| Comparison Of Kafka's "metamorphosis" And Dali's "the Metamorphosis Of |
4 / 1093 |
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| Comparison Of Perugino And Caravaggio |
4 / 965 |
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| Creation of Adam V The Crucificition |
2 / 521 |
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| Critique on Pollice Verso |
3 / 803 |
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| Cubism Art |
3 / 767 |
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| Dante's Inferno |
7 / 1869 |
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| Darkness At Noon |
4 / 1115 |
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| Escher |
2 / 516 |
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| Far From The Madding Crowd |
2 / 517 |
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| Futurism |
4 / 929 |
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| Gabriel Garcia Marquez (spanis |
3 / 750 |
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| Girl In A Chemise |
1 / 252 |
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| Go Tell It On A Mountain - Sum |
5 / 1497 |
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| How To Do A Clown Face Paint |
2 / 325 |
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| Impressionism |
2 / 456 |
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| Islam |
2 / 493 |
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| Jackson Pollock's "Convergence |
1 / 217 |
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| James Joyce |
4 / 1011 |
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| Kirchner Vs. Renoir |
3 / 847 |
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| Leonardo Da Vinci |
2 / 350 |
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| Leorardo Da Vinci |
1 / 200 |
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| Marcel Duchamp |
2 / 453 |
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| Monet's Grand Canal |
5 / 1294 |
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| Oriental Art |
2 / 501 |
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| Perspective |
1 / 299 |
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| Peter Max |
2 / 473 |
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| Pride In Poetry |
3 / 611 |
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| piano lesson |
1 / 258 |
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| Rain Of Auvers (art Analysis) |
2 / 476 |
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| Raymond George Neher |
2 / 533 |
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| Relationship to our World and Deity |
2 / 334 |
|
| Review of Dale Terbush's "The Glory of the Light Within" |
2 / 579 |
|
| Salvador Dali's Hallucinogenic Torreador |
4 / 1198 |
|
| Sandro Botticelli and Gaspara Stampa |
4 / 1040 |
|
| Sheldon |
1 / 295 |
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| The Dead |
4 / 1149 |
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| The Death Of The Virgin |
3 / 656 |
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| The Duke And His Duchess |
2 / 512 |
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| The European Renaissance |
2 / 326 |
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| The European Renaissance |
2 / 368 |
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| The Giver |
4 / 929 |
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| The Kiss and The Rapture of Psyche |
4 / 965 |
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| The Marvelous Sauce |
3 / 743 |
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| The Painter |
5 / 1425 |
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| The Renaissance (1400-1520 Ad) |
2 / 576 |
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| The Son |
4 / 965 |
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| The Vegetable or the Arteries? |
2 / 461 |
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| The old guitarist |
2 / 552 |
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| Thomas EakinsThomas Eakins was born in Philadelphia in the year 1844. Eakins was a photographer, painter, sculptor, and fine arts educator. Thomas Eakins had an interest in art since his childhood. Eakins attended Pennsylvania Academy of the Fine ... |
3 / 792 |
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| the persistence of memory |
4 / 1049 |
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| Vacation |
2 / 549 |
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| Vermeer |
3 / 648 |
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| Victorian England |
4 / 1145 |
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| Vincent van Gogh's The Olive Trees and Gustav Klimt's The Park |
3 / 674 |
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| White Clouds over Xiao and Xiang |
1 / 262 |
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| "The Patriot" Movie Review |
5 / 1202 |
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| asian art |
2 / 517 |
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| Dante's Inferno |
7 / 1869 |
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| Nietzsche - Dionysian and Apollonian |
4 / 906 |
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| Philosophy of Art Van Gogh painting |
6 / 1747 |
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| Angels |
4 / 1190 |
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| Art In The Bible |
3 / 657 |
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| Atheists |
2 / 517 |
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| birth narrative between st mt and st lk |
2 / 552 |
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| English |
2 / 335 |
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| Islam |
2 / 493 |
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| The Son |
4 / 965 |
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| Reductionims |
3 / 752 |
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| Generations Repeated |
2 / 464 |
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| George Gittoes |
3 / 665 |
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| me my self and I |
2 / 462 |
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