| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
 |
| Our Town |
2 / 384 |
|
| Igor Stravinsky |
2 / 476 |
|
| Gender Roles And Macbeth |
7 / 1884 |
|
| atomic bomb |
2 / 358 |
|
| Compare and Contrast the views of Native Americans and Europeans |
3 / 816 |
|
| French vs american revolution |
3 / 739 |
|
| Agatha Christie Biography |
2 / 342 |
|
| Annie Hall and Manhattan: Two different ways of looking at New York's Beauty |
8 / 2209 |
|
| somthign new |
2 / 573 |
|
| A Brave New World vs. 1984 |
4 / 974 |
|
| A Dolls House |
2 / 400 |
|
| A Midsummer's Night Dream |
2 / 340 |
|
| Age Of Innocence |
3 / 826 |
|
| comparitve essay : Rocking-Horse Winner by D.H. Lawrence And Harrison Bergeron by Kurt Vonnegut |
3 / 735 |
|
| conformity |
2 / 449 |
|
| Death of a Salesman |
5 / 1269 |
|
| Fate And Feminism |
2 / 476 |
|
| flaner o'conner |
1 / 227 |
|
| great gatsby - nick |
1 / 256 |
|
| Harrison Bergeron Essay: Compare The Epic War Or Socialism Vs. Capitalism. |
4 / 1014 |
|
| Hawthorne |
2 / 464 |
|
| Hiroshima - John Hersey |
2 / 496 |
|
| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
|
| I'm Not Scared |
2 / 474 |
|
| Intensity |
1 / 279 |
|
| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
|
| Merchant of Venice |
2 / 352 |
|
| Revelation |
3 / 771 |
|
| Romeo And Juliet Charector Analysis |
3 / 861 |
|
| Rosencrantz &Amp; Guildenstern |
3 / 860 |
|
| The American Dream |
6 / 1543 |
|
| The Celestine Prophecy |
2 / 429 |
|
| The Fall of the House of Usher |
3 / 660 |
|
| The Odyssey |
2 / 564 |
|
| The Scarlet Letter |
3 / 874 |
|
| The Story of the Stone (also known as The Dream of Red Mansions, The Dream of the Red Chamber, etc.) is generally accepted as China's greatest novel. What are its most outstanding qualities as literature? |
5 / 1471 |
|
| Virginia Woolf'S Mrs Dalloway |
6 / 1745 |
|
| Waiting for Godot |
6 / 1669 |
|
| Why does Frankenstein begin and end with Walton's letters? |
4 / 1146 |
|
| Wuthering Heights: Summary |
2 / 425 |
|
| war without mercy |
5 / 1486 |
|
| Capital Budgeting |
2 / 375 |
|
| Cash Management |
4 / 908 |
|
| Defining Public Relations Paper |
2 / 384 |
|
| Managing People And Organisation |
4 / 974 |
|
| perception |
3 / 778 |
|
| Student |
2 / 429 |
|
| Uno |
1 / 281 |
|
| 12th night |
1 / 254 |
|
| A Contemporary Glass Menagerie |
3 / 861 |
|
| A Tale Of Two Cities And The French Revolution. Compare/Contrast |
2 / 464 |
|
| Advanced level |
3 / 723 |
|
| Analysis On Hamlet |
2 / 514 |
|
| Brilliant Folly: The Role Of Feste |
4 / 930 |
|
| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
|
| Characterization through deviation of plot: The evolution of the main characters in "Girl" and "Lust" |
3 / 672 |
|
| Characterization |
4 / 1116 |
|
| Comment On Three Fictional Writers |
2 / 544 |
|
| Compare and Contrast Essay on "Since Feeling Is First" and "Love Is Not All" |
2 / 586 |
|
| Compare and Contrast the ways in which the writers present the horrors of the war in "Regeneration" and "Journey's End". |
8 / 2103 |
|
| Compare contrast |
3 / 604 |
|
| Compare, contrast stories. |
5 / 1263 |
|
| Comparing Life Of Pi &Amp; White Teeth |
3 / 698 |
|
| Comparison Between Follower And Digging |
3 / 630 |
|
| DIE FLEDERMAUS |
3 / 751 |
|
| Deception Illustrated by Characters in Othello |
4 / 1001 |
|
| Definition Essays |
2 / 385 |
|
| Demain: Vrai? ou Faux? |
5 / 1375 |
|
| Discuss the importance of female characters in The Crucible and Snow Falling on Cedars. Compare the ways they are presented. |
11 / 3092 |
|
| Discussion Of Local Color In Mark Twain |
3 / 891 |
|
| Epiphany-Dubliners |
2 / 400 |
|
| Frankenstein |
2 / 500 |
|
| Greasy Lake |
2 / 509 |
|
| Hamlet Vs. Macbeth |
2 / 512 |
|
| Heart of Darkness |
2 / 382 |
|
| Hills Like White Elephants |
3 / 791 |
|
| House of Sand and Fog |
2 / 536 |
|
| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
|
| I wandered |
1 / 97 |
|
| Jane Eyre |
8 / 2275 |
|
| Katherine Manfeild's Her First Ball |
3 / 820 |
|
| Literary Criticism of John Steinbeck's The Chysanthemums |
4 / 1005 |
|
| "Tender is the Night" Zeigiest |
2 / 411 |
|
| a rose for emily |
2 / 323 |
|
| about a boy |
3 / 712 |
|
| act 1 |
1 / 122 |
|
| appreciation of poem |
3 / 809 |
|
| carpe diem |
3 / 783 |
|
| comparison between "Countess P's Advice for new girls" by Natash tretheway, "Skinhead" by Patricia Smith, and "Negro Hero" by GWendolyn Brooks |
3 / 801 |
|
| cortoons effects on children |
6 / 1683 |
|
| Lovely Bones |
3 / 661 |
|
| MacBeth |
3 / 647 |
|
| Macbeth Essay |
2 / 416 |
|
| Morality |
7 / 1831 |
|
| My Mistresses Eyes Are Nothing Like The Sun |
4 / 1117 |
|
| Of Mice and Men |
3 / 613 |
|
| Of Violence |
3 / 622 |
|
| Oscar Wilde - Young King |
6 / 1723 |
|
| Questions in 'No Sugar' |
3 / 766 |
|
| Romeo and Juliet Speech |
2 / 349 |
|
| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
|
| The Changing Face Of Love In English Literature |
5 / 1422 |
|
| The Crucible |
2 / 449 |
|
| The Deliverance from Traditional Black Writings |
5 / 1218 |
|
| The Flaws of Shakespeares Heroes |
4 / 950 |
|
| The Great Gatsby |
2 / 464 |
|
| The Scarlet Letter: Tales Of Sin And Confession |
5 / 1454 |
|
| The Sound and the Fury |
5 / 1435 |
|
| The Styles of Curt Vonnegut |
3 / 772 |
|
| The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
|
| Theme of Opposites Within King Lear |
2 / 591 |
|
| Theory Of Character And Characterization |
4 / 972 |
|
| Transition to wholeness |
2 / 549 |
|
| Woah Dude |
3 / 700 |
|
| rasin in the sun |
2 / 429 |
|
| Brave New World And 1984 |
2 / 345 |
|
| Compare & Contrast Malinowski and Shostak's Ethnography Methods |
2 / 487 |
|
| Compare And Contrast The Concepts Of Natural Crime And Legal Crime |
2 / 396 |
|
| Compare and Contrast Islam and Christianity |
2 / 545 |
|
| Comparison of Death of a Virgin Paintings |
3 / 744 |
|
| History |
2 / 517 |
|
| Japanese Internment in Canada |
5 / 1346 |
|
| P.O." |
2 / 319 |
|
| Parliemantary Vs Presidential Governments |
2 / 431 |
|
| the reasons why Japan embarked on an aggressive, militaristic foreign policy and assess the extent to which this was successful in the first half of the 20th century. |
4 / 1006 |
|
| World War II |
4 / 1175 |
|
| A Review Of Lessing's "flight" |
2 / 587 |
|
| Age Of Innocence |
3 / 826 |
|
| animal farm reveiw |
1 / 260 |
|
| arts in schools |
2 / 462 |
|
| Blind Obedience |
3 / 690 |
|
| Brilliant Folly: The Role Of Feste |
4 / 930 |
|
| Carvers Realism From Fires |
4 / 1153 |
|
| Changing Lives From The Other Side |
3 / 623 |
|
| Changing Lives From The Other Side |
3 / 623 |
|
| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
|
| Compare And Contrast Of The Od |
4 / 1071 |
|
| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
|
| Cryptographys Importance In Go |
4 / 1021 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| compare contrast HK Macau |
3 / 726 |
|
| Dominate Cultural Patterns of Switzerland |
3 / 891 |
|
| Eleanor Rigby |
2 / 384 |
|
| George And Lennie - A Friendship |
5 / 1489 |
|
| George S. Patton |
2 / 341 |
|
| Greek Actors |
2 / 339 |
|
| Hamlets Troubles |
3 / 683 |
|
| Harry Potter And The Sorcerers Stone |
1 / 230 |
|
| Hash Tables |
2 / 558 |
|
| Hester And Abigail |
3 / 663 |
|
| Hindu Vs. Egyption Vs. Christian Religion |
2 / 591 |
|
| Jane Eyre |
8 / 2275 |
|
| Lost |
2 / 325 |
|
| me3 coursework |
2 / 361 |
|
| Othello - Change Of Character |
3 / 878 |
|
| Othello 6 |
3 / 724 |
|
| Passion Play Evaluation |
2 / 507 |
|
| prose analysis |
2 / 429 |
|
| Response to Eliot/Barthes |
2 / 487 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| Romeo And Juliet - Vs Much Ado About Nothing |
2 / 554 |
|
| Romeo And Juliet Vs Much Ado A |
2 / 554 |
|
| Sound Vs. Silence |
3 / 889 |
|
| Summary Of A Presentation On Machiavelli |
2 / 551 |
|
| Talley's Folly |
3 / 679 |
|
| The Analysis Of The Main Chara |
3 / 644 |
|
| The Artificial Family |
3 / 653 |
|
| The Great Gatsby essay |
4 / 953 |
|
| The Importance Of Being Earnest - Characters |
1 / 182 |
|
| The Odyssey - Comparing The Ro |
3 / 832 |
|
| The Scarlet Letter: Tales Of Sin And Confession |
5 / 1454 |
|
| The Twenties And Thirties |
2 / 540 |
|
| Things Fall Apart By Chinua Ac |
3 / 893 |
|
| the ant and the grasshopper |
1 / 38 |
|
| Wuthering Heights-storm And Ca |
3 / 744 |
|
| Compare and contrast the music of the Medieval, Rennaissance, and Baroque periods |
2 / 443 |
|
| crash characters |
1 / 258 |
|
| Eat Drink Man Woman |
2 / 551 |
|
| Examine the ways in which Hollywood cinema has conventionally represented African Americans. |
6 / 1743 |
|
| Film genres |
2 / 479 |
|
| Grammys Commercials |
3 / 870 |
|
| jack black |
2 / 514 |
|
| Requiem For A Dream |
2 / 436 |
|
| Stranger On A Train |
2 / 423 |
|
| taxi driver |
1 / 275 |
|
| Wings of Desire |
2 / 415 |
|
| mrs. |
2 / 587 |
|
| No Exit |
1 / 274 |
|
| SELF CONCEPT |
2 / 515 |
|
| Business Analysis |
2 / 592 |
|
| Heredity and Hormones |
2 / 479 |
|
| The day after tomorrow |
2 / 471 |
|
| Children, Television, and Violence |
2 / 584 |
|
| Crash |
1 / 275 |
|
| Eveline |
2 / 559 |
|
| Propaganda and Democracy |
2 / 480 |
|
| Propaganda |
2 / 376 |
|
| Angiography |
2 / 422 |
|
| Driver Characteristics |
3 / 771 |
|
