| Title |
Pages / Words |
Save |
| The story of an hour |
3 / 881 |
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| Edna Pontellier |
6 / 1741 |
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| The story of an hour |
3 / 683 |
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| Settong And It's Importance |
4 / 1151 |
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| Nocturne in E Major Op. 62 Nr. 2 by F. Chopin |
1 / 216 |
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| story of an hour |
4 / 1148 |
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| Kate Chopin Story of an Hour |
5 / 1274 |
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| The Awakening |
3 / 655 |
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| The Storm |
2 / 318 |
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| The Ironic Storm |
2 / 318 |
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| The Story of an Hour |
1 / 265 |
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| Feminist Theory and "The Awakening" |
7 / 1939 |
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| the awakening: women's role in society |
5 / 1400 |
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| Kate Chopin |
5 / 1383 |
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| Females dont always get the right treatment |
3 / 758 |
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| Analysis of Setting in "The Story of an Hour" and "Popular Mechanics" |
5 / 1364 |
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| Differences A like |
3 / 796 |
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| lesson 8 |
4 / 1027 |
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| The Awakening |
4 / 1038 |
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| the awakening |
5 / 1316 |
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| The Awakening |
5 / 1347 |
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| Horrible Happiness |
1 / 291 |
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| Story of an Hour |
5 / 1288 |
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| OWL CREEK |
5 / 1384 |
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| The Awakening |
7 / 1845 |
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| The Awakening 2 |
7 / 1845 |
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| The Awakening |
6 / 1705 |
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| Story of an hour |
2 / 321 |
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| Rocking The Boat |
6 / 1537 |
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| The Meaning of Women Independence In "Awakening" |
1 / 280 |
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| Compare and contrast protagonists from "The Way Up To Heaven" and "The Story of An Hour" |
5 / 1259 |
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| Awakening |
4 / 902 |
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| Restraints of Society |
4 / 1105 |
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| The Awakening |
3 / 749 |
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| Edna Pontellier's Suicide |
6 / 1522 |
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| What is love? |
4 / 901 |
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| Emotionally Detached |
4 / 1039 |
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| The Storm |
1 / 285 |
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| the story of an hour |
2 / 341 |
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| Sadness in Kate Chopins The Locket |
1 / 296 |
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| Chopin |
6 / 1567 |
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| Female Characters In CHOPIN'S AWAKENING |
6 / 1567 |
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| the story of an hour |
3 / 858 |
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| Women in The Awakening |
8 / 2154 |
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| Story of An Hour |
2 / 386 |
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| The Awakening- Edna'S Suicide- Failure Or Success? |
4 / 956 |
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| A Comparison of Two Stories: The Lottery & The Story of an Hour |
5 / 1242 |
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| story of an hour |
4 / 1033 |
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| The Awakening |
6 / 1543 |
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| Analysis of Caline |
4 / 1055 |
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| Feminsism |
7 / 1866 |
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| The Awakening |
3 / 891 |
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| Oppression in Kate Chopin |
2 / 318 |
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| Marital Oppression in "The Story of an Hour" |
6 / 1624 |
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| Eveline |
2 / 529 |
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| EVELINE |
2 / 529 |
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| men and women |
5 / 1258 |
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| Kate Chopin's |
2 / 416 |
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| Awakening |
2 / 431 |
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| Yellow wall paper, beast in the jungle, and my contraband |
4 / 935 |
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| A Birthday |
2 / 426 |
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| Of Love and Freedom: the Use of Character in \ |
2 / 464 |
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| The Story Of An Hour By Kate Chopin |
2 / 407 |
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| Solen |
2 / 468 |
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| How Franz Liszt’s Transcriptions Shaped the Path of Classical Music |
2 / 320 |
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| obtaining freedom |
4 / 1101 |
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| A Story Of An Hour: Feelings |
2 / 468 |
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| Music And Ednas Awakening |
2 / 373 |
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| The Oppressing Face Of Madness In The Mirror Of Society |
8 / 2141 |
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| The Story of "The Story of an Hour" |
2 / 378 |
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| THE STORY OF AN HOUR |
2 / 409 |
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| The Awakening |
4 / 959 |
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| Journal Of Short Stories |
7 / 1997 |
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| Compare and Contrast, "The story of and hour" and Richard Cory |
2 / 495 |
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| “Desiree’S Baby” |
2 / 479 |
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| Freedom |
2 / 542 |
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| The Jungle |
5 / 1359 |
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| Poland |
4 / 986 |
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| Liberation |
4 / 1075 |
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| Liberation |
4 / 1075 |
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| A History of Poland |
4 / 986 |
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| The awakening |
7 / 1882 |
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| The Story of An Hour |
2 / 458 |
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| The Story Of An Hour |
2 / 458 |
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| The Awakening |
2 / 481 |
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| Comparison Between Piano Concert By Barbara Wieman And Sacramento Cham |
4 / 1003 |
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| Awakening Concepts Of Morality |
2 / 509 |
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| The Awakening Concepts Of Morality |
2 / 509 |
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| Moderism |
9 / 2425 |
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| Story of an Hour |
5 / 1268 |
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| Ray Charles, Notable Black American Men |
2 / 455 |
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| Madame Bovary Vs. The Awakening |
6 / 1607 |
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| Analysis Of The Storm |
2 / 577 |
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| The Sea's Rebirth |
5 / 1230 |
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| Poland |
4 / 1068 |
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| Awakening |
2 / 599 |
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| isaac Albeniz |
4 / 944 |
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| Irony Paper Oedipus And Story Of An Hour |
5 / 1239 |
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| George Gershwin |
2 / 460 |
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| wakening |
7 / 1880 |
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| Major Character Analysis |
7 / 1903 |
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| The Story of an Hour Analysis |
3 / 636 |
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| The Awakening |
6 / 1594 |
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| PRESENT PAST |
3 / 655 |
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| Analytical Essay On |
3 / 625 |
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| The Story Of An Hour |
3 / 646 |
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| Symbolism In The Awakening |
8 / 2244 |
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| Comparison of The Lady With The Dog and The Story of an Hour |
3 / 768 |
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| Kate Chopin's The story of an hour |
6 / 1596 |
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| awakening |
3 / 681 |
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| The Symbolic Use Of Hunger In |
7 / 1812 |
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| Literary Analysis of "The Storm" |
3 / 696 |
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| Difference Of Ideals Between 19th And 20th Centuries |
4 / 1038 |
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| cabboy2 |
3 / 675 |
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| 19th Century LIteratue |
2 / 338 |
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| storm, chrysanthemums, the yellow wallpaper |
3 / 703 |
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| The Awakening |
3 / 755 |
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| changing women's roles as viewed in Gilman's yellow wallpaper |
2 / 480 |
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| Awakening |
3 / 604 |
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| The Lady With The Pet Dog |
6 / 1739 |
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| Classical Humanites |
6 / 1769 |
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| The Story Of An Hour |
3 / 803 |
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| The Story Of An Hour |
3 / 714 |
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| The Awakening - Personality Developments |
7 / 1933 |
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| Men And Women |
8 / 2264 |
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| Men And Women |
8 / 2264 |
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| Clothing and Nudity in "The Awakening" |
3 / 653 |
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| Identity |
8 / 2275 |
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| Men And Women |
8 / 2278 |
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| Women |
8 / 2277 |
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| men and women |
8 / 2277 |
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| spaghetti |
8 / 2211 |
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| The Choro |
4 / 1180 |
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| Identity |
8 / 2257 |
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| awakening |
3 / 689 |
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| the yellow wall paper |
4 / 1034 |
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| Critical Analysis Modest Motives |
6 / 1737 |
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| The Awakening 3 |
4 / 957 |
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| Story of an Hour |
4 / 998 |
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| Freedom |
3 / 824 |
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| Technique Can Only Takes You So Far |
6 / 1639 |
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| Story of an hour |
3 / 773 |
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| Female Protagonists |
3 / 766 |
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| The Awakeing |
20 / 5879 |
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| The Awakening |
3 / 753 |
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| The Awakening |
3 / 753 |
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| Women Breaking Free From Their Traditional Expectations |
8 / 2105 |
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| Morality as a Social Construct in The Adventures of Huckleberry Finn, The Rise of Silas Lapham and The Awakening |
7 / 1853 |
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| The Awakening 5 |
3 / 737 |
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| The Awakening: Casting Shadows |
3 / 859 |
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| El grotesco influido por The Awakening |
7 / 2038 |
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| They will be missed |
3 / 859 |
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| Story of an Hour |
4 / 908 |
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| 19th Century Women Authors |
11 / 3159 |
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| Romanticism in Germany |
5 / 1221 |
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| analsis of kate chopin |
3 / 738 |
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| Moral degradation in the awakening |
3 / 773 |
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| LVMH |
2 / 583 |
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| Romantic Period |
3 / 690 |
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| Four Genre Outlines |
6 / 1681 |
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| the relevaNCE OF THE ATMOSPHERIC DISTURBANCE IN THE STORM |
4 / 952 |
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| The Story of an hour |
4 / 1142 |
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| Archetypes In Siddhartha |
3 / 859 |
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| Freedom In The Story Of An Hou |
4 / 975 |
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| What Is Heavy Metal |
4 / 931 |
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| The Storm |
4 / 933 |
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| story of an hour |
5 / 1292 |
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| Art Event |
4 / 1022 |
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| Fantasiestucke Op. 73 |
3 / 839 |
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| Review of Rachmaninov |
3 / 874 |
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| Dangerous Desires |
7 / 2029 |
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| Realism and Naturalism |
3 / 752 |
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| Essay on the film, "Shine"... How film codes shape audience response in the exposition. |
4 / 1088 |
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| Charlotte Perkins Gilman |
3 / 900 |
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| The Esssence of Rebirth and Death in Literature |
8 / 2328 |
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| Modeste Mussorgsky's "Ballet of the Unhatched Chicks", and the Romantic Period |
3 / 882 |
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| Great Composers Of The 19th Century |
4 / 974 |
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| Ray |
4 / 1073 |
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| Kate Chopin, "The Story of an Hour" on Mrs. Mallard |
6 / 1716 |
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| Surviving Hitler: A comparison of Night and The Pianist in the portrayal of the Holocaust |
4 / 1095 |
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| The Awakening |
6 / 1619 |
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| Bakhtin Nad T S Eliot |
5 / 1232 |
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| A Poetical Analysis of Queen??s Bohemian Rhapsody |
5 / 1462 |
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| Setting The Scene: The Influence Of Setting In Literature |
5 / 1291 |
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| The Turn of the Woman of the Century |
5 / 1417 |
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| Nathaniel Hawthorn |
4 / 1072 |
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| their eyes were watching god |
7 / 1872 |
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| Sergei Rachmaninoff |
9 / 2452 |
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| Robert Schumann |
5 / 1250 |
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| Romantism |
12 / 3483 |
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| symbols in the awakening |
5 / 1433 |
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| Importance of Symbols |
5 / 1433 |
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| Robert Schumann |
5 / 1276 |
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| Robert Schumann |
5 / 1276 |
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| Robert Schumann |
5 / 1287 |
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| Struggling With Subjectivity: A Comparative Critique of Susan Faludi's |
5 / 1464 |
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| Nature Versus Nurture |
6 / 1583 |
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| Music Composition |
13 / 3723 |
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| Greed |
6 / 1764 |
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| Huck Finn Book Banning Project. Why it should be banned from public school curriculum. |
6 / 1708 |
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