Title |
Pages / Words |
Save |
Glory |
1 / 283 |
|
Book Review |
2 / 473 |
|
Final |
2 / 497 |
|
History x |
2 / 351 |
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Kiss Me Deadly and Film Noir |
2 / 530 |
|
Miss |
1 / 251 |
|
Jean-Michel Basquiat |
2 / 409 |
|
Me |
1 / 262 |
|
Nino Rota |
1 / 129 |
|
Abc |
2 / 347 |
|
a knights tale analysis |
1 / 202 |
|
Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
|
Dark They Were And Golden-Eyed |
3 / 633 |
|
Horror Show |
2 / 397 |
|
Nightmare on Elm Street |
1 / 248 |
|
summer reading |
2 / 519 |
|
The Matrix |
4 / 1011 |
|
Chicago Chinatown |
6 / 1608 |
|
Globalization |
2 / 329 |
|
health |
2 / 374 |
|
Nescafe |
2 / 475 |
|
A Bronx Tale |
1 / 159 |
|
A Streetcar themes |
1 / 236 |
|
Chicken Run |
2 / 363 |
|
China town and Little Italy |
3 / 646 |
|
Chinatown Ethnography |
2 / 545 |
|
Chinatown: Above the Film Noir Genre |
5 / 1405 |
|
City Lights |
3 / 815 |
|
Crash Overview |
2 / 380 |
|
Cultural Studies |
2 / 405 |
|
Dames, Coppers, and Crooks: A L:ook At Film Noir |
10 / 2877 |
|
Film Noir |
8 / 2295 |
|
Genre |
4 / 964 |
|
Harry Potter and the Camber of Secrets |
2 / 557 |
|
James Bond |
1 / 295 |
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Jaws |
1 / 145 |
|
Joy Luck Club |
3 / 817 |
|
classification of movies |
2 / 425 |
|
Macbeth |
2 / 511 |
|
Monty Python and the Holy Grail |
2 / 395 |
|
Mummy |
2 / 368 |
|
Requiem for a Dream |
2 / 328 |
|
Sahara Review |
2 / 458 |
|
Saving Private Ryan Help Sheet |
2 / 320 |
|
Story To Film |
2 / 421 |
|
Term Paper |
1 / 141 |
|
The Airport Novel |
2 / 502 |
|
The Crow Review |
4 / 965 |
|
The Truman Show |
2 / 525 |
|
The relationship between reader and writer |
2 / 406 |
|
Traits of Marlow in the Big Sleep |
4 / 1154 |
|
What makes a successful romantic tragedy? |
7 / 1887 |
|
Writers are like photographers |
2 / 345 |
|
Yellow Wallpaper |
2 / 436 |
|
percolating paranoia |
8 / 2146 |
|
romeo and juliet |
3 / 652 |
|
sunday too far away |
1 / 284 |
|
the usual suspects |
3 / 800 |
|
Ca Twiste a Popenguine |
1 / 123 |
|
chinatown |
2 / 359 |
|
Old Movies And America |
2 / 462 |
|
The U.S. vs. John Lennon |
2 / 305 |
|
A film I have seen |
2 / 523 |
|
Apprentice Episode 3 Review |
2 / 509 |
|
animal farm reveiw |
1 / 260 |
|
Babam Ve Oglum |
4 / 1139 |
|
Black Hawk Down |
1 / 195 |
|
Boys In The Hood The Beginning |
3 / 653 |
|
China Town |
5 / 1277 |
|
Cindy Sherman |
2 / 473 |
|
Citizen Cane |
1 / 234 |
|
Discussing Literary Genre |
3 / 805 |
|
Dramatic Tragedy |
2 / 393 |
|
HUD: Bucking the Western film stereotype |
5 / 1359 |
|
hello ou there |
1 / 179 |
|
La Confidential And Film Noir |
11 / 3249 |
|
Media |
3 / 700 |
|
narrative structures |
3 / 616 |
|
Photography |
2 / 533 |
|
Pinot Gris Wine |
2 / 563 |
|
Process Of Processing |
2 / 430 |
|
pinot noir |
2 / 527 |
|
Roger And Me |
2 / 410 |
|
Scarface |
2 / 368 |
|
The Birds |
2 / 505 |
|
The Life Aquatic |
1 / 226 |
|
The Maltese Falcon |
6 / 1564 |
|
To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
|
Visions And Voices |
1 / 196 |
|
12 Monkeys |
2 / 513 |
|
2004 Stepford Wives |
1 / 300 |
|
25th Hour |
4 / 1090 |
|
"Chinatown" as film noir |
3 / 849 |
|
A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
Amelie |
2 / 330 |
|
Analysis of "Vantage Point" trailer |
4 / 1076 |
|
Batman begins and sleepy hollow |
2 / 502 |
|
Baz R+J |
1 / 126 |
|
Blaire Witch review |
2 / 475 |
|
big sleep |
4 / 923 |
|
China Town |
5 / 1277 |
|
Chinatown |
2 / 377 |
|
Chinatown: Movie Analysis |
2 / 432 |
|
Classical Hollywood narrative |
2 / 342 |
|
chinatown |
4 / 1192 |
|
chinatown |
1 / 289 |
|
count of monte cristo |
1 / 242 |
|
Day For night |
1 / 242 |
|
Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
Dodge City And Unforgiven |
4 / 1017 |
|
discuss how genre is communicated in halloween |
2 / 505 |
|
FIght Club |
3 / 753 |
|
Femme Fatale: Evil or not |
6 / 1509 |
|
Fight Club review |
4 / 1136 |
|
Fight Club |
1 / 253 |
|
Film Methodologies - Point Break (1991) |
4 / 1084 |
|
Film Noir At It'S Finest |
2 / 525 |
|
Film Noir |
1 / 191 |
|
Film Noir |
3 / 634 |
|
Film genre, narration, reality tv |
6 / 1677 |
|
Film genres |
2 / 479 |
|
Film noir |
6 / 1584 |
|
Follow Your Dreams |
5 / 1368 |
|
Fritz Lang M: Analysis |
3 / 856 |
|
femme fatale in film noir |
7 / 1906 |
|
film crime |
5 / 1431 |
|
film noir |
3 / 693 |
|
full monty |
2 / 414 |
|
Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
|
Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
godfrey reggio |
4 / 979 |
|
Halloween |
1 / 295 |
|
Hitchcock's North By Northwest: The Birth of the Modern Action Film |
6 / 1667 |
|
Hong Kong Cinema |
3 / 709 |
|
Horror Movies: Gateway to Our Dark Side |
4 / 1176 |
|
Interpretations Of Kite Runner |
2 / 314 |
|
Jack Nicholson, Star? |
2 / 369 |
|
King |
2 / 301 |
|
L.A. Confidential review |
3 / 738 |
|
LA confidential |
2 / 305 |
|
Life is Beautiful, a fable? |
2 / 386 |
|
Lisa Lewis Paper |
2 / 573 |
|
l.a confidential film noir |
4 / 952 |
|
Maltese Falcon |
5 / 1477 |
|
Media Task |
3 / 726 |
|
Memento Film Review |
2 / 592 |
|
Midsummer Nights Dream |
2 / 345 |
|
Miss |
1 / 22 |
|
Moulin Rouge |
3 / 649 |
|
Moulin Rouge |
1 / 266 |
|
Movie History |
2 / 568 |
|
Movie |
2 / 564 |
|
Movie: Delta Force - Suicide In Chinatown |
2 / 580 |
|
media |
4 / 978 |
|
memento |
4 / 998 |
|
movie philadelphia |
1 / 271 |
|
Neorealism |
9 / 2591 |
|
Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
Noir |
12 / 3319 |
|
Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
of mice and men movie review |
1 / 267 |
|
Psycho |
1 / 223 |
|
Reading Summary: Amplification of Sound |
2 / 316 |
|
Red Rock West |
2 / 577 |
|
Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
|
Samurai in Film |
2 / 421 |
|
Saving Private Ryan |
2 / 354 |
|
Seven Film Review |
6 / 1680 |
|
Spellbound |
2 / 434 |
|
Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
semiotics |
4 / 908 |
|
snatch |
4 / 920 |
|
Talented Mr Ripley |
2 / 372 |
|
The Blair Witch Project |
3 / 602 |
|
The Genre of Horror |
2 / 597 |
|
The Lost Boys Horror Genre |
3 / 619 |
|
The Notebook: Best Film I Have Seen |
2 / 585 |
|
The Wild Bunch |
2 / 375 |
|
The hope of life |
2 / 329 |
|
To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? |
3 / 634 |
|
Touch Of Evil |
5 / 1284 |
|
What makes a film great |
3 / 630 |
|
Will Sky Captaun Make History? |
3 / 817 |
|
Wizard Of Oz |
1 / 185 |
|
Women Portrayal |
2 / 524 |
|
Women Portrayed in Horror Films |
10 / 2722 |
|
what makes an excellent film |
2 / 491 |
|
Inner Power |
3 / 827 |
|
Jaws the movie |
2 / 332 |
|
Kill Bill |
2 / 367 |
|
Baler |
2 / 545 |
|
Fred Astaire |
1 / 261 |
|
rock |
1 / 202 |
|
Process Of Processing |
2 / 430 |
|
Dalton Trumbo |
1 / 197 |
|
kit kat preoject |
7 / 1899 |
|
Rabbit Proof Fence |
2 / 479 |
|
The essence of Chinatown |
3 / 827 |
|
grouping |
2 / 308 |
|
PHOTOSHOP LAB REPORT |
2 / 391 |
|