| Title |
Pages / Words |
Save |
| Etymology of Court |
4 / 1029 |
 |
| Russian Revolution and Orwell (Animal Farm) |
2 / 519 |
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| "Design" |
1 / 276 |
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| american slavery |
1 / 211 |
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| ballad of birmingham |
4 / 1096 |
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| History and Demographics |
2 / 564 |
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| Irony in America |
2 / 462 |
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| Miller's Tale |
4 / 1010 |
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| Peasant Info |
2 / 474 |
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| sMargaret Atwood's Thirty Years of Experience Help Her Value the Importance of Language, Not Only as a Writer, But also as a Human. |
4 / 962 |
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| a clockwork orange |
2 / 475 |
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| Careful paper |
1 / 234 |
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| Cask Of Amontillado Anaylysis |
2 / 494 |
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| Children of the River by Linda Crew |
3 / 667 |
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| catcher in the rye |
4 / 1059 |
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| Ficciones |
1 / 152 |
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| Irony Of The Metamorphosis |
4 / 1111 |
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| Lamb To Slaughter |
1 / 221 |
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| Mede Reaction Paper |
2 / 466 |
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| Mr. Flood's Party? |
6 / 1776 |
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| No Ordinary Housewife |
4 / 1183 |
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| of mice and men |
3 / 752 |
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| old english gawain knight |
2 / 428 |
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| Pride And Prejudice: Irony |
4 / 1147 |
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| Stupid White Men |
3 / 813 |
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| Symbolism In The Pearl |
2 / 526 |
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| sound of waves |
3 / 665 |
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| The Cask Of Amontillado |
5 / 1258 |
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| The Elusiveness of War and the Tenuousness of Morality in Tim O'Brien's "The Things They Carried," "How to Tell a True War Story," and "Style" |
3 / 613 |
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| The Luncheon |
1 / 200 |
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| The Sniper |
3 / 753 |
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| A Comparison of Two Stories: The Lottery & The Story of an Hour |
5 / 1242 |
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| Analysis Of George Orwell'S 'Shooting An Elephant' |
4 / 1019 |
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| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
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| Anne Bradstreet |
3 / 815 |
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| Assisi |
5 / 1284 |
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| Barbie Doll |
4 / 987 |
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| Canterbury Tales |
17 / 4919 |
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| Canterbury Tales: Wife's Tale |
9 / 2540 |
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| Cask of Amontillado |
5 / 1386 |
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| Catcher in the Rye |
3 / 677 |
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| Colors |
3 / 755 |
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| Comparison and Contrast: Ring Lardener vs. P.J. O'Rourke |
3 / 643 |
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| Contrast and Comparison of the Knight and the Wife of Bath |
4 / 1134 |
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| Critical Abstract-MacBeth |
2 / 481 |
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| Design |
1 / 276 |
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| Dramatic irony in Oedipus Rex |
3 / 741 |
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| Dulce et Decorum Est |
2 / 593 |
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| Dulce et Decorum Est |
3 / 603 |
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| Ellison - King of the Bingo Game |
4 / 1073 |
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| Emily Dickinson |
4 / 1056 |
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| Emily's psychology problem |
1 / 272 |
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| English Literature |
2 / 305 |
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| Escape from civilization: an Analysis of the Adventures of Huckleberry Finn |
5 / 1435 |
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| Essay- The Irony Of The Ending Of Lord Of The Flies |
2 / 538 |
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| Fahrenheit 451 Outline of Pgs 99-101 |
2 / 477 |
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| Go Forth And Sin No More |
6 / 1517 |
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| Heroes |
4 / 968 |
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| Homecoming By Bruce Dawe |
2 / 456 |
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| How Shakespeare Uses Dramatic Devices In Act 3 Scene 1 Of Romeo |
3 / 610 |
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| How language is used in King Lear |
1 / 275 |
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| Huck Finn passage analysis |
6 / 1506 |
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| Hulga in “Good Country People” |
4 / 1117 |
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| Insignificance Of Human Beings To The Passage Of Time |
4 / 936 |
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| Irony and Abuse in the Story Of an Hour |
2 / 490 |
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| Irony in 2 short excerpts in "The Ruined Maid" |
1 / 167 |
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| Irony in Oedipus the King |
8 / 2268 |
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| Irony |
3 / 889 |
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| John Dryden |
1 / 280 |
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| Literary Terms and Concepts |
3 / 754 |
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| Literary terms |
2 / 427 |
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| a modest proposal by jonathan swift |
3 / 770 |
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| chaucerness |
10 / 2962 |
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| examine how John Wyndham in ‘Dumb Martian’ captures the moment when someone’s life changes dramatically. |
2 / 421 |
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| good country people |
5 / 1253 |
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| gullivers travels |
2 / 499 |
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| ironic story |
2 / 308 |
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| kubla khan |
1 / 255 |
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| “Salvation” By Langston Hughes |
2 / 315 |
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| “The Mere Fact That Someone Cruelly Destroys A Potentially Happy Marriage Is Sad, Not Necessarily Tragic.” What, Then, Makes Othello A Tragedy? |
5 / 1320 |
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| Macbeth Irony |
6 / 1573 |
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| Mark Twain's Advice to youth |
3 / 795 |
|
| Miss |
2 / 529 |
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| My Oedipus Complex |
3 / 696 |
|
| OZYMANDIAS |
3 / 721 |
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| Oedipus Rex |
9 / 2532 |
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| Oedipus the King |
7 / 2047 |
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| Othello's Decline |
2 / 573 |
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| Ozymandias |
1 / 249 |
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| Phantoms |
2 / 320 |
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| Poe |
1 / 156 |
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| Saki's "The Interlopers" Vs. Callaghan's "All The |
3 / 671 |
|
| Satire Essay from The Onion |
2 / 448 |
|
| Scarlet Letter Analysis |
3 / 808 |
|
| Shooting an elephant |
3 / 795 |
|
| Sir Gawain |
6 / 1691 |
|
| Standardization Of The English Language |
6 / 1790 |
|
| Superficiality vs. Reality: an Analysis of Guy de Maupassant~{!/~}s ~{!0~}The Necklace~{!1~} |
4 / 1091 |
|
| TROILUS AND CRISEYDE |
8 / 2263 |
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| The Canterbury Tales |
11 / 3148 |
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| The Cask Of Amontillado |
4 / 948 |
|
| The Cask of Amontillado |
4 / 1010 |
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| The Changing Face Of Love In English Literature |
5 / 1422 |
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| The Convergence of Twain v. Ozymandias |
2 / 556 |
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| The Heartbeat |
1 / 257 |
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| The Ironic Storm |
2 / 318 |
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| The Journey |
4 / 990 |
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| The Lottery Response Paper |
3 / 881 |
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| The Necklace |
2 / 535 |
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| The Necklace |
2 / 568 |
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| The Necklace |
4 / 963 |
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| The Necklace" in the Champs-Elysees |
3 / 606 |
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| The Road Not Taken |
3 / 757 |
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| The Role of Irony in "Everyman" |
2 / 575 |
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| The Storm |
2 / 318 |
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| The Storm |
3 / 638 |
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| The Study Of English Literature |
2 / 405 |
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| The Wife Of Bath's Reflexive Contradiction For Sexual Equality In The |
5 / 1477 |
|
| The necklace |
4 / 1116 |
|
| Thel Shaped Room |
3 / 755 |
|
| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
|
| Universal Human Experience in Arthurian Legend |
3 / 856 |
|
| White Angel Analysis |
4 / 945 |
|
| Wife of Bath |
7 / 1956 |
|
| oedius |
3 / 795 |
|
| realism in pride and prejudice |
5 / 1379 |
|
| shirley jackson \ |
2 / 537 |
|
| story of an hour |
5 / 1292 |
|
| the story of an hour |
3 / 764 |
|
| the story of an hour |
3 / 787 |
|
| transformations |
5 / 1207 |
|
| use of dramatic irony in oedipus the king |
6 / 1653 |
|
| MArc Anthony Speech Analysis |
3 / 676 |
|
| Oedipus The Tragic Hero |
4 / 1123 |
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| Ozymandias |
2 / 468 |
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| Passion for Equality |
3 / 729 |
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| TROY BOOK |
6 / 1624 |
|
| War in the Modern World |
4 / 1126 |
|
| 1984 |
4 / 1115 |
|
| A Farewell to Arms |
3 / 803 |
|
| After Great Pain, A Formal Feeling Comes-- |
2 / 477 |
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| Alive Book Report |
4 / 963 |
|
| All Quiet On The Western Front |
3 / 712 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| Animal Farm: Comparing The Book To The Movie |
2 / 385 |
|
| Around The World In Eighty Day |
3 / 679 |
|
| Assisi |
5 / 1284 |
|
| Bartleby |
2 / 546 |
|
| Billy Budd |
1 / 228 |
|
| chaucer imitation essay |
2 / 532 |
|
| Ficciones |
1 / 152 |
|
| For Whom The Bell Tolls |
3 / 831 |
|
| For Whom The Bell Tolls |
3 / 831 |
|
| fahrenheit 451 |
1 / 188 |
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| Harrison Bergeron 2 |
5 / 1209 |
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| Harrison Bergeron |
5 / 1209 |
|
| Interview With The Vampire |
1 / 295 |
|
| irony |
9 / 2550 |
|
| Leo |
2 / 407 |
|
| Macbeth's Guilty Conscience |
1 / 194 |
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| Neat People vs. Sloppy People |
2 / 566 |
|
| Oedipus As An Epic Poem By Ari |
2 / 598 |
|
| protest poetry |
5 / 1437 |
|
| psycho and final destination two |
7 / 1905 |
|
| response |
1 / 223 |
|
| Saboteur |
4 / 1057 |
|
| Saki's "the Interlopers" Vs. Callaghan's "all The |
3 / 671 |
|
| Self Definition |
9 / 2594 |
|
| Setting Vs Story - Dante's Inferno And Sartre's No Exit |
5 / 1364 |
|
| Sybolism In White Fang |
3 / 849 |
|
| The Canterbury Tales: Wife Of Bath |
3 / 828 |
|
| The Cask Of Amatillado |
5 / 1267 |
|
| The Cask Of Amontillado - Irony And Symbolism |
4 / 1155 |
|
| The Cask Of Amontillado |
2 / 426 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| The Cask Of Amontillado: The Dangers Of Pride |
4 / 941 |
|
| The Cask Of Amontillado: The Dangers Of Pride |
4 / 941 |
|
| The Storm |
3 / 638 |
|
| The Study Of Imagery In Adrian |
5 / 1218 |
|
| The Taming Of The Shrew - Humo |
3 / 731 |
|
| The Tell-Tale Heart |
4 / 1009 |
|
| The Yellow Paper |
4 / 1111 |
|
| To Kill A Mockingbird 3 |
3 / 671 |
|
| WeeGee the Famous |
2 / 407 |
|
| White Fang |
3 / 849 |
|
| Winter Moon |
2 / 579 |
|
| A Beautiful Mind |
2 / 315 |
|
| Romeoo and Juliet |
3 / 676 |
|
| Shaun of the Dead- Movie Critic |
3 / 705 |
|
| Show Boat |
1 / 276 |
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| Aristotle |
4 / 972 |
|
| Loyalty |
2 / 492 |
|
| SGS fiction |
3 / 631 |
|
| The Down Fall Of Odysseus |
3 / 792 |
|
| The lottery |
3 / 709 |
|
| There Will Be Blood |
3 / 830 |
|
| Ballad Of Birmingham |
4 / 1096 |
|
| Chekhov and Tolstoy |
4 / 1012 |
|
| the absence of women in the early years of sociology |
1 / 226 |
|
