Title |
Pages / Words |
Save |
Rikki-Tikki-Tavi The War Story |
5 / 1220 |
|
The Red Badge of Courage |
5 / 1492 |
|
Julius Ceasar |
24 / 7125 |
|
Andrew Jackson |
2 / 395 |
|
abraham lincoln's life |
38 / 11116 |
|
Douglas MacArthur |
2 / 345 |
|
A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
|
JFK Assasination |
3 / 756 |
|
John Lennon |
2 / 520 |
|
Much Ado About Nothing |
2 / 558 |
|
Octavian |
2 / 446 |
|
Richard Marcinko |
2 / 418 |
|
Robert Frost: A Man Of Many Words |
2 / 478 |
|
Woodrow Wilson |
5 / 1277 |
|
An Enemy Of The People |
4 / 928 |
|
a lesson before dying- heroism |
3 / 808 |
|
alive |
1 / 296 |
|
antigone |
1 / 226 |
|
Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
|
Beowulf to froto baggins |
4 / 959 |
|
Beowulf: The Ultimate Hero |
6 / 1739 |
|
comparison essay Hamlet - Macbeth |
3 / 686 |
|
Death of a Salesman |
5 / 1269 |
|
Does Hamlet Have A Tragic Flaw? |
3 / 770 |
|
Dramatic Irony in Oedipus Rex |
2 / 498 |
|
ETHAN FROME |
3 / 707 |
|
Faust |
3 / 873 |
|
Horatio's Role In Hamlet |
2 / 499 |
|
James and the Giant Peach |
3 / 744 |
|
Jimi Hendrix: Why He Desrves World Recognition |
3 / 645 |
|
Jude The Obscure |
7 / 1951 |
|
Les Miserables: Jean Valjean |
2 / 428 |
|
Lord Of The Rings |
3 / 776 |
|
Much Ado About Nothing: An Overview |
4 / 1126 |
|
mcbeth |
2 / 536 |
|
Oedipus Rex |
2 / 495 |
|
Outside Forces |
3 / 647 |
|
Romeo And Juliet: Act Iii, Scene V |
3 / 854 |
|
romeo and juliet punishment |
2 / 576 |
|
The Actions and Consequences in “Romeo and Juliet” |
2 / 522 |
|
The Crucible |
2 / 559 |
|
The Flaws of Steinbeck’s Writing |
2 / 526 |
|
The Great Gatsby |
5 / 1465 |
|
Things Fall Apart |
4 / 904 |
|
Three People, Two Deaths, One Great Tragedy |
3 / 612 |
|
To Kill A Mocking Bird |
3 / 664 |
|
Tragic |
7 / 2048 |
|
Bhopal |
2 / 394 |
|
Othello as a tragic play |
4 / 962 |
|
A 13th Century Blockbuster Hit |
8 / 2118 |
|
A Classic Hero |
4 / 1068 |
|
A Summary Of The Play By Aristophanes |
1 / 181 |
|
A View From The Bridge.... |
8 / 2176 |
|
Achilles: a hero no more |
4 / 1003 |
|
Antigone and Aristotle |
2 / 469 |
|
Artistic License in Soyinka?¦s Death and the Kings Horseman |
5 / 1434 |
|
Beowulf As An Epic |
2 / 568 |
|
Beowulf Essay |
4 / 973 |
|
Beowulf |
2 / 431 |
|
Beowulf |
3 / 634 |
|
Beowulf |
9 / 2434 |
|
Casablanca |
2 / 470 |
|
Christianity & Paganism in Beowulf |
2 / 469 |
|
Death of a salesman |
2 / 545 |
|
Desirees Baby Significance of a Letter |
4 / 1000 |
|
Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
|
Federalist Vs. Anti-Federalist |
4 / 1047 |
|
Gilgamesh And Oddysey |
4 / 1137 |
|
Gilgamesh and Odysseus |
4 / 909 |
|
Hamlet |
6 / 1715 |
|
Hercules Comparison |
3 / 730 |
|
Hero Project |
4 / 980 |
|
How Does Arthur Miller Use Alfieri As A Dramatic Device |
5 / 1310 |
|
John Proctor's Role In The Crucible |
4 / 1042 |
|
King Lear |
2 / 530 |
|
all the pretty horses versus the searchers |
4 / 925 |
|
bin laden |
2 / 541 |
|
bio |
1 / 247 |
|
dramatic lit |
2 / 559 |
|
haindi |
2 / 495 |
|
inate evil to kill a mocking bird and lord of the flies |
3 / 844 |
|
Macbeth as a Tragic Hero |
6 / 1754 |
|
Macbeths Transformation From Soldier To Tyrant |
4 / 1096 |
|
Melany And The Legend Of Arthur |
6 / 1771 |
|
Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
|
Muchadoaboutsomting |
2 / 536 |
|
Musee des Beaux Arts |
2 / 493 |
|
Mutability in Tennyson's Ulysses |
4 / 932 |
|
Odysseus' Journey as an Epic Hero |
5 / 1266 |
|
Oedipus; Free will and fate |
4 / 999 |
|
Oedipus |
1 / 180 |
|
Othello - Honest Iago |
2 / 577 |
|
Othello - critical study |
10 / 2715 |
|
Othello' Profile |
3 / 666 |
|
Peace Like a River |
2 / 504 |
|
Personal conflict- Othello, I was only 19, Absolutely Fabulous |
4 / 917 |
|
Peter Weir movie analysis |
2 / 542 |
|
Psychoanalysis Of Caesar And Cassius |
2 / 530 |
|
Review of Diamond Dogs |
1 / 211 |
|
Sad, Bad, Or Mad? Do You Consider Macbeth To Be A Tragic Hero, Evil, Or Bewitched? |
16 / 4566 |
|
Sir Gawain and the Green Knight |
3 / 648 |
|
The Distinguishing between Hester and Dimmesdale in Nathaniel |
3 / 680 |
|
The Expose of Heroism Through Jay Gatsby |
4 / 1075 |
|
The Iliad |
5 / 1428 |
|
The Joy Luck Club Movie Vs Book |
3 / 863 |
|
The Love and the Nightgale |
2 / 566 |
|
The Red Badge of Courage |
5 / 1455 |
|
The nature of theatre in Europe in the 19th Century |
2 / 522 |
|
Transformations |
4 / 926 |
|
Who Am I? Essay |
3 / 833 |
|
metamorphosis |
3 / 878 |
|
oedipus |
3 / 635 |
|
shakespeare |
4 / 1093 |
|
About Jodhpur |
2 / 469 |
|
Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
|
Children's Literature |
2 / 398 |
|
Rise and fall of the Roman Republic |
2 / 421 |
|
Rural women's life in late imperial China |
3 / 734 |
|
Russia's unjust occupation of Chechnya |
2 / 412 |
|
A & P Analyzation |
1 / 130 |
|
A Classic Hero |
4 / 1068 |
|
A Memorable Experience In Photography |
3 / 639 |
|
A Person Who has had influence on my Life |
2 / 444 |
|
Being A Hero |
5 / 1495 |
|
Beowulf As An Epic |
2 / 568 |
|
Beowulf Vs. Gilgamesh |
4 / 1181 |
|
Beowulf: Heroism |
4 / 928 |
|
Beowulf: Heroism |
4 / 928 |
|
Black Hawk Down |
1 / 195 |
|
beowulf/grendel |
4 / 1068 |
|
Cool Hand Luke |
3 / 837 |
|
Creon: A Monarch Within His Rights |
4 / 1055 |
|
Cyrano De Bergerac |
2 / 501 |
|
Danforth's Witch Hunt, Is It J |
2 / 497 |
|
Death Be Not Proud |
1 / 155 |
|
Different Cultures, Different |
3 / 827 |
|
dc vs marvel |
3 / 682 |
|
debate |
4 / 970 |
|
Ethan From |
3 / 707 |
|
Feeling Trapped |
1 / 230 |
|
Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
|
Heroes And Villains |
2 / 558 |
|
Huck As Hero |
4 / 1150 |
|
Iliad 2 - |
2 / 580 |
|
John Proctor's Role In The Crucible |
4 / 1042 |
|
kill bill |
2 / 518 |
|
Macbeth And Lord Jim |
6 / 1526 |
|
Macbeth As A Tragic Hero |
3 / 706 |
|
Macbeths Ambition |
2 / 435 |
|
McDonalds v. Wendy's |
3 / 728 |
|
Morality in Oedipus Tyrannus |
5 / 1471 |
|
My Hero |
3 / 820 |
|
Napolean |
1 / 122 |
|
Oedipus As An Epic Poem By Ari |
2 / 598 |
|
Oedipus The King |
4 / 1001 |
|
Oedipus The King: Free Will Vs Fate |
4 / 999 |
|
Orestes An Innocent Hero |
4 / 1151 |
|
Orson Welles |
4 / 1157 |
|
Oskar Schindler: A Hero Study |
4 / 1059 |
|
Othello: Not Wisely But Too Well |
4 / 1031 |
|
Othello: Not Wisely, But Too Well |
4 / 1031 |
|
Paradise Found And Lost - Critique |
2 / 535 |
|
Paradise Found And Lost - Critique |
2 / 535 |
|
Paris: The Iliad |
2 / 580 |
|
Paris: The Iliad |
2 / 580 |
|
Personal Mythology Essay |
2 / 495 |
|
Renaissance Art |
1 / 185 |
|
Roberto Clemente |
2 / 444 |
|
Romeo And Juliet - Vendetta In Verona |
2 / 568 |
|
Romeo And Juliet 4 |
3 / 865 |
|
States Argument Central |
4 / 1017 |
|
studenty |
3 / 622 |
|
The Birth Of A Nation And Greed |
4 / 1185 |
|
The Crucible |
3 / 683 |
|
The Effectiveness Of The Opening To Hamlet |
4 / 1197 |
|
The Great Gatsby and the American Dream |
5 / 1289 |
|
The Iliad |
5 / 1428 |
|
The Joy Luck Club Movie Vs Book |
3 / 863 |
|
The Reasn |
4 / 1036 |
|
The Underdog Can Win! |
5 / 1478 |
|
Theseus Athens Great Hero |
2 / 556 |
|
Tragic Triumph |
2 / 563 |
|
Un Viaje A Itaca |
2 / 325 |
|
What a loser. |
1 / 240 |
|
Aristotle/ Children Of Men Paper |
5 / 1325 |
|
Casablanca |
3 / 663 |
|
Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
Dead Poet's Society |
2 / 546 |
|
Flawless Heroes? |
2 / 455 |
|
Hamlet Essay |
2 / 544 |
|
Shane |
4 / 937 |
|
A Debate Between Oedipus And Socrates On The Role Of Fate |
6 / 1664 |
|
A Hero in a Loincloth… and His Methods |
3 / 815 |
|
The Odyssey |
2 / 465 |
|
The Writing Style of Hemingway |
7 / 2050 |
|
Homosexuality in Film |
4 / 914 |
|
Split Image |
3 / 627 |
|
The Reasn |
4 / 1036 |
|
The Romantic Present |
2 / 582 |
|
Dota: Manta Style strategy on Tinker |
5 / 1437 |
|