| Title |
Pages / Words |
Save |
| How People Remember Events |
3 / 847 |
 |
| Journalism, Real Creativity and Reactionary Creativity |
3 / 801 |
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| 2001 A space odyssey |
2 / 566 |
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| ambrose |
2 / 596 |
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| Braveheart fact or fiction |
3 / 839 |
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| Changes Since The Sixties |
3 / 703 |
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| Good & Bad Of Tv Censorship |
2 / 554 |
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| none |
2 / 330 |
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| Anthony Burgess |
2 / 327 |
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| Biography Of Arthur Clarke |
2 / 474 |
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| Daniel Keyes |
1 / 261 |
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| Edgar Allan Poe |
3 / 607 |
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| Ernest Hemingway |
2 / 369 |
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| Jimmy Buffet |
1 / 174 |
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| John Steinbeck |
2 / 572 |
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| Kyle's Paper |
1 / 150 |
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| Piers Anthony |
1 / 265 |
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| planet Of The Apes |
2 / 465 |
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| Ray Bradbury Biography |
2 / 365 |
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| Stephen King |
2 / 428 |
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| Stephen King |
2 / 419 |
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| The Life and Times of Edgar Allan Poe |
2 / 495 |
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| Tom Clancy Bio |
2 / 325 |
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| A Clean, Well Loghted Place- Survival through Irony |
1 / 37 |
|
| A Wrinkle In Time |
1 / 139 |
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| Abc |
2 / 378 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
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| analysis of "the handmaid's tale" |
4 / 1057 |
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| Clean Up Your Room! |
2 / 435 |
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| Dangers of Reading Fiction |
2 / 495 |
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| Dark They Were And Golden-Eyed |
3 / 633 |
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| Dune |
2 / 419 |
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| demon in the freezer |
2 / 331 |
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| Eldest Synopsis |
2 / 398 |
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| Elements Of Fiction |
3 / 656 |
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| Flowers for Algernon |
2 / 346 |
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| Frankenstein |
2 / 509 |
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| Going After Cacciato |
2 / 477 |
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| Going After Cacciato |
1 / 79 |
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| Greasy Lake |
1 / 209 |
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| Harry Potter |
2 / 317 |
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| I Am Nothing More Than A Dust Jacket |
2 / 538 |
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| In Cold Blood |
2 / 343 |
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| In Cold Blood |
4 / 1012 |
|
| Insight into milan kundera's narrative |
4 / 1000 |
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| Kate Chopin |
2 / 355 |
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| Perfect Storm |
1 / 16 |
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| Rosencrantz and Guildenstern are Dead |
1 / 268 |
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| sarah, plain and tall |
2 / 367 |
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| The Truth About the Da Vinci Code |
6 / 1665 |
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| The X-files, X Marks The Spot: Book Report |
1 / 260 |
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| The crucible |
3 / 723 |
|
| the importance of metafiction as a literary device in The Things They Carried |
3 / 734 |
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| Virginia Woolf's Style and subject in a Room of her own |
7 / 1841 |
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| Fdfsds |
2 / 512 |
|
| Harlequin Case Study |
3 / 650 |
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| Leadership |
5 / 1253 |
|
| marketing : the euro disney case |
2 / 382 |
|
| A Fiction Writer'S Power |
3 / 743 |
|
| A hero for the freedom of Scotland |
4 / 922 |
|
| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
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| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
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| Book Report On Rebecca |
1 / 88 |
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| Book Review on Raymond Carver's Will You Please Be Quiet, Please? |
2 / 539 |
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| Book Review |
3 / 842 |
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| Braveheart |
2 / 528 |
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| Chndsln |
2 / 413 |
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| Courage of Beowulf |
3 / 727 |
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| Definition of Science Fiction |
4 / 1061 |
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| Description of Fiction |
2 / 522 |
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| Detective Fiction |
4 / 1158 |
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| Egar Allen Poe Biography |
2 / 530 |
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| Elements of Fiction |
1 / 110 |
|
| Essay |
1 / 239 |
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| Favorite Genre |
1 / 293 |
|
| Fiction vs. Nonfiction |
5 / 1279 |
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| Flowers for Algernon |
2 / 434 |
|
| George Wells |
4 / 969 |
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| Hemingway |
1 / 255 |
|
| History of Detective Fiction |
2 / 349 |
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| Isaac Asimov, Mind of a Child |
4 / 963 |
|
| Life of Pi |
2 / 520 |
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| Life of Pi |
1 / 264 |
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| braveheart |
2 / 438 |
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| henry james |
2 / 587 |
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| humanity |
2 / 420 |
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| life of pi |
2 / 599 |
|
| literature |
2 / 470 |
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| Narrator |
2 / 522 |
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| Nature in Man |
1 / 133 |
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| Origin of Greek Play |
1 / 282 |
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| Phillis Wheatley and Edgar Allan Poe |
2 / 498 |
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| Point Of View In "A Rose For Emily" |
2 / 552 |
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| Pulp Fiction |
3 / 609 |
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| Ray Bradbury Writing Style |
3 / 885 |
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| Ray bradbury |
2 / 351 |
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| Review: Pulp Fiction |
3 / 776 |
|
| Samantha Nevals |
3 / 750 |
|
| Teenage Suicide: How The Media Influences Teenage |
2 / 304 |
|
| The Cast Of Amontillado |
2 / 338 |
|
| The Purpose of Literature |
1 / 290 |
|
| The Rhetoric Of Science Fiction |
2 / 408 |
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| The Rocking horse winner |
3 / 616 |
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| The Seven Key Essentials of Fiction |
3 / 644 |
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| The Things They Carry |
3 / 731 |
|
| The relationship between reader and writer |
2 / 406 |
|
| Wants |
2 / 349 |
|
| Wayson Choy Literary Biography |
2 / 449 |
|
| Where Am I Does It Matter? |
2 / 378 |
|
| Why We Crave Horror Movies |
1 / 195 |
|
| science-fiction specifications |
1 / 285 |
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| the connection between audience and author |
4 / 1053 |
|
| uncany |
2 / 398 |
|
| Braveheart/ William Wallace |
3 / 658 |
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| Greek Mythology |
1 / 140 |
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| H. G. Wells |
2 / 427 |
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| History paper |
5 / 1320 |
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| Nuclear Radiation |
2 / 545 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| The grapes of wrath |
2 / 306 |
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| Trojan War: Fact or Fiction? |
2 / 330 |
|
| Why did Director Scott Fictionalize? |
2 / 547 |
|
| william wallace |
5 / 1486 |
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| Literature Reading |
2 / 314 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| A&P Theme |
3 / 694 |
|
| Alice Walker |
1 / 223 |
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| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
|
| Arthur Clarke |
2 / 491 |
|
| Beauty And The Beast |
3 / 609 |
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| Braveheart |
4 / 978 |
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| Braveheart |
2 / 439 |
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| Braveheart |
2 / 553 |
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| Braveheart |
4 / 977 |
|
| Catcher In The Rye |
1 / 106 |
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| Comparison Of The Film Beloved |
3 / 695 |
|
| Cruise Ship |
1 / 291 |
|
| capra cu trei iezi |
2 / 549 |
|
| Dont have any |
6 / 1576 |
|
| Elements Of Fiction |
2 / 516 |
|
| evacuation q 2 |
2 / 558 |
|
| Flying Home |
1 / 53 |
|
| Genres |
4 / 1040 |
|
| Gonzo |
2 / 519 |
|
| goo goo dolls |
3 / 782 |
|
| Henry James And "the Art Of Fiction" |
2 / 475 |
|
| House Of The Seven Gables |
3 / 748 |
|
| Life Of Ma Parker |
1 / 72 |
|
| Meth |
1 / 154 |
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| My Brother Sam Is Dead |
1 / 138 |
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| Offensive line |
3 / 795 |
|
| Patriot vs. Braveheart |
7 / 1820 |
|
| Pocahontas: Fact Or Fiction |
2 / 462 |
|
| Poetry Difficulty |
2 / 357 |
|
| Poetry Difficulty |
2 / 357 |
|
| Ray Bradbury Biography |
2 / 365 |
|
| Realism and Naturalism |
3 / 627 |
|
| Robert Frost 2 |
2 / 558 |
|
| Scientology |
2 / 400 |
|
| Specific purpose: To inform my audience of the steps to becoming a published fiction writer. |
4 / 967 |
|
| Star Wars |
3 / 675 |
|
| Starwars |
3 / 675 |
|
| science fiction and fantasy |
4 / 1046 |
|
| The Genre Of Science Fiction |
4 / 1200 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| Themes In Science-fiction |
4 / 1069 |
|
| Tv Viewing |
1 / 295 |
|
| video games and violence |
2 / 347 |
|
| William Wallace |
7 / 1803 |
|
| A Few Things That Went Wrong In The Patriot |
2 / 518 |
|
| Braveheart vs. William Wallace |
6 / 1587 |
|
| Braveheart |
2 / 553 |
|
| Braveheart |
2 / 439 |
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| brave |
1 / 262 |
|
| DARKER CITIES |
2 / 595 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| i Robot |
2 / 514 |
|
| memento |
2 / 369 |
|
| Storytelling |
4 / 1060 |
|
| Style in pulp fiction |
3 / 709 |
|
| sfjdkjal |
4 / 962 |
|
| sfsf |
2 / 474 |
|
| The great Escape |
3 / 785 |
|
| Miss Brill |
2 / 590 |
|
| SGS fiction |
3 / 631 |
|
| The Tragic End |
3 / 778 |
|
| Dancing mania |
1 / 224 |
|
| Cloning: Right or Wrong? |
1 / 51 |
|
| da vinci code |
2 / 408 |
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| My Da Vinci Code Essay |
3 / 715 |
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| Dark They Were, and Golden-Eyed |
2 / 363 |
|
| Fact, not Science Fiction |
2 / 524 |
|
| the journey to the center of the earth |
2 / 493 |
|
| Faulkner |
1 / 42 |
|
| Speech For Class President |
2 / 514 |
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| Advancement Of Technology And Science And Its Influence On Science Fic |
4 / 1179 |
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| Japanese Animation |
2 / 315 |
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| robotics |
2 / 525 |
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| SF |
2 / 343 |
|
