| Title |
Pages / Words |
Save |
| Dr Faustus |
7 / 1849 |
 |
| King Lear |
4 / 1121 |
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| The Temptresses of Unconcious Enticements |
2 / 376 |
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| Ghmf |
4 / 990 |
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| How the Iroquois Hunted |
2 / 521 |
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| Romeo & Juliet |
2 / 510 |
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| Tiziano Vecelli's |
3 / 674 |
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| A Day In The Life Of Ivan Denisovich |
3 / 696 |
|
| A Raisin In The Sun |
4 / 950 |
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| A Raisin in the Sun |
2 / 471 |
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| A Summons to Memphis |
3 / 787 |
|
| Billy Elliot |
1 / 128 |
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| Burned in matrimony |
3 / 669 |
|
| Dracula - Symbolism of Blood |
4 / 930 |
|
| Fences |
2 / 485 |
|
| Frankenstein Essay |
3 / 705 |
|
| Hamlet Act 5 |
3 / 604 |
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| Holden and Society |
5 / 1237 |
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| hamlets relationships |
6 / 1609 |
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| heart of darkness/ apocalypse now |
5 / 1356 |
|
| In Poems "the Man He Killed", "reconciliation", And "dreamers", The Au |
2 / 525 |
|
| Intensional Or Accidentall? Similarities Between Romeo And Juliet And |
3 / 836 |
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| Love and Hate "Shakespear" |
3 / 671 |
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| Macbeth |
5 / 1231 |
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| natty bumppo |
2 / 563 |
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| Of mice and Men |
4 / 903 |
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| Othello: Iago's Large Appetite For Revenge |
3 / 614 |
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| Romeo And Juliet: Night - Rejoice Or Rebel? |
3 / 843 |
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| Romeo and Juliet |
4 / 1163 |
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| relationships in hamlet |
3 / 658 |
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| Shakespeare's "Othello" Women's Role |
3 / 713 |
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| The Modern Times |
2 / 589 |
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| The Night of The Iguana |
3 / 785 |
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| The Open Boat |
2 / 575 |
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| Xi |
3 / 848 |
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| Should Justin Ellsworth’s Parents Have Been Given Access To His Email? |
2 / 592 |
|
| A View From The Bridge |
2 / 581 |
|
| Alienation |
4 / 1074 |
|
| Approaching the Mechanicals |
2 / 395 |
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| Apu and his dog |
6 / 1510 |
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| As You Like it function of Act 1 |
5 / 1297 |
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| Blissing |
4 / 906 |
|
| Blood imagery in macbeth |
3 / 848 |
|
| Butler Yeats |
2 / 576 |
|
| COM120 Final Grammar Quiz |
3 / 891 |
|
| Comparing Jack & Creon |
3 / 662 |
|
| Conflicts Between Colors |
4 / 905 |
|
| Crash |
4 / 964 |
|
| Dark &Amp; Light Imagery In Shakespeare’S Macbeth |
3 / 825 |
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| Dead Man Walking [movie] |
2 / 377 |
|
| Discuss the importance of Act Three, Scene 5. How does Shakespeare use dramatic devices in order to make it such an interesting and important scene? |
6 / 1634 |
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| Dulce et Decorum est |
4 / 1058 |
|
| English |
5 / 1226 |
|
| Frankenstein: Less Human Than His Creation |
4 / 948 |
|
| Gilda Film Analysis |
5 / 1321 |
|
| Hamlet And The Oedipus Complex |
2 / 535 |
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| Hamlet Essay |
4 / 1022 |
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| Hamlet's Relationships |
6 / 1609 |
|
| Hamlet |
2 / 380 |
|
| Henry V |
2 / 418 |
|
| How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene? |
6 / 1584 |
|
| How does Shakespeare use dramatic devices is Act 3 scene 1 of "Romeo and Juliet" in order to make it an exciting scene and a turning point in the play |
6 / 1773 |
|
| How funny do you find ?Waiting for Godot'? Explore the ways in which Beckett uses humour in the play and the likely impact that this would have on the audience. |
3 / 869 |
|
| Imagery In Macbeth |
3 / 617 |
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| Jaws |
1 / 145 |
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| Julius Caesar Flattery |
2 / 552 |
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| Lear's Maness |
1 / 118 |
|
| "Miss Brill" by Katherine Mansfield |
2 / 513 |
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| a worn path |
3 / 605 |
|
| act 1 |
1 / 122 |
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| coup de grace essay |
2 / 590 |
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| gertrude |
3 / 798 |
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| Lorraine Glass |
2 / 430 |
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| Macbeth Greater Guilt |
3 / 679 |
|
| Macbeth: Analysis On the Theme of Blood. |
3 / 840 |
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| Macbeth: What Is Being Said About Influence And Manipulation |
3 / 844 |
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| Macbeths Downfall |
2 / 474 |
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| Meliville & Sophocles Discussion |
2 / 586 |
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| Men of respect V.S Macbeth |
3 / 702 |
|
| Movie Evaluatioin of 300 |
4 / 1090 |
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| Mr. |
4 / 911 |
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| Obasan |
2 / 427 |
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| Oedipus Rex |
3 / 630 |
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| On the sidewalk bleeding~news article |
2 / 357 |
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| Othello and Jealousy |
4 / 990 |
|
| Prose and Poetry, Audubon and Dillard AP |
2 / 504 |
|
| Romeo and juliet |
5 / 1393 |
|
| Romeo |
7 / 1866 |
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| Scarlet Letter |
3 / 621 |
|
| Show the importance of the ‘Balcony Scene’ (Act 2 Scene 2). How does this scene help us to understand the characters of Romeo and Juliet? How the scene might be presented in performance |
7 / 2044 |
|
| Sonny's Blues |
3 / 669 |
|
| Strictly Ballroom |
2 / 521 |
|
| Strong Females in the work of Miller, and Williams |
6 / 1511 |
|
| Style analysis of Joseph Conrad and James Cooper |
2 / 422 |
|
| Super Size Me |
3 / 624 |
|
| Symbolism in A Streetcar Named Desire Blanche's Dubois mysterious life |
3 / 752 |
|
| Tempest Essay |
4 / 1027 |
|
| The Battle of Algiers |
1 / 126 |
|
| The Chrysalids |
2 / 568 |
|
| The Comparison Between This And That |
3 / 655 |
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| The Piano Lesson |
4 / 1115 |
|
| The Relationship Between Macbeth And Lady Macbeth In Act I, Scene Vii |
3 / 671 |
|
| The headless horseman |
3 / 724 |
|
| Time and an "Ode to a Grecian Urn" |
2 / 403 |
|
| What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
|
| Who is Responsible of the demise of the central characters in Macbeth? |
3 / 715 |
|
| Willy is the antithesis of Charley in Death of a salesman |
3 / 851 |
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| othello |
2 / 440 |
|
| relationships in Hamlet |
3 / 658 |
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| scarlet letter |
2 / 557 |
|
| Essay Exstra Credit |
3 / 665 |
|
| Gladiator of Heaven |
5 / 1213 |
|
| History of Ghazal Singing |
2 / 347 |
|
| How does Shakespeare shape your response to the lovers' first meeting in Act 1 Scene 5? |
6 / 1545 |
|
| Into Shoppertainment |
2 / 389 |
|
| Last of the mohicans |
2 / 409 |
|
| Budweiser Advertisement Analysis |
4 / 1164 |
|
| big hill |
3 / 679 |
|
| Cinematic Techniques |
3 / 735 |
|
| Dying to be Skinny |
3 / 642 |
|
| Educating Rita Compare and contrast |
5 / 1259 |
|
| Emo VS Indie |
4 / 974 |
|
| Ethan From - Contrast Between Film And Novel |
4 / 923 |
|
| Ethan From --- Contrast Betwe |
4 / 923 |
|
| Frankenstein: Less Human Than His Creation |
4 / 948 |
|
| Hamlets Problem |
3 / 628 |
|
| Henry V - Film |
4 / 929 |
|
| Julius Caesar - Analyses Of Characters |
4 / 967 |
|
| La Confidential And Film Noir |
11 / 3249 |
|
| Lorraine Glass |
2 / 430 |
|
| Macbeth - Blood Imagery In Macbeth |
3 / 840 |
|
| Macbeth: Serpentine Imagery |
3 / 712 |
|
| Merchant Of Venice |
3 / 759 |
|
| Much Ado About Nothing - Summary |
5 / 1426 |
|
| On The Waterfront |
2 / 499 |
|
| One Life to Live (soap opera) |
2 / 597 |
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| Our Town Analysis 2 |
2 / 435 |
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| our town |
2 / 429 |
|
| Paper on the correct method of lifting heavy objects |
2 / 506 |
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| Research And Design |
2 / 412 |
|
| Richard Ii - Silence Is The Plot |
1 / 92 |
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| Richard Ii |
4 / 940 |
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| Richard Ii |
4 / 940 |
|
| romeo and juliet |
3 / 668 |
|
| School, Work, And Time For Friends |
3 / 662 |
|
| Sex with Brad Pitt |
3 / 826 |
|
| The Bicycle Thief |
3 / 618 |
|
| The Role Of Love In Romeo And Juliet |
4 / 1165 |
|
| The Scarlet Letter 2 |
2 / 430 |
|
| The Taming Of The Shrew - Humo |
3 / 731 |
|
| Three Scaffold Scenes - Progression Of Dimmesdale |
3 / 663 |
|
| Viva La Revolution |
2 / 457 |
|
| Young Goodman Brown, The Maypole Of Merrymount, And The Birth-mark |
2 / 557 |
|
| Young Goodman Brown |
2 / 557 |
|
| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
|
| Amadeus |
2 / 435 |
|
| Cinematic Techniques |
3 / 735 |
|
| Dead Poets Society |
4 / 1130 |
|
| editing |
3 / 654 |
|
| Festival of Ten |
4 / 1036 |
|
| Fight Club (Fincher, 1999) |
3 / 799 |
|
| GuitarWorks |
6 / 1591 |
|
| Hays Production Code's Impact on Vertigo |
5 / 1207 |
|
| How effectively does the opening sequence of "Saving Private Ryan" convey the sadness and horror of war? |
6 / 1774 |
|
| how do image and sound create meaning and what other functions does so |
8 / 2331 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| knife in the water |
3 / 796 |
|
| Lacombe Lucien is a fictive re-enactment of the banality of evil |
4 / 1161 |
|
| Media Studies Thriller Project |
8 / 2176 |
|
| Meet Me in St. Louis & Raging Bull |
5 / 1286 |
|
| Metropolis Film Review |
3 / 612 |
|
| Michael Corleone's Transformation |
13 / 3612 |
|
| Monty Python and the Holy Grail |
4 / 987 |
|
| Moulin Rouge! Review |
4 / 1167 |
|
| mise-en-scene in Casablanca |
8 / 2247 |
|
| On The Waterfront |
2 / 499 |
|
| Saving Private Ryan |
2 / 354 |
|
| Shawshank Redemption Analysis |
3 / 828 |
|
| Sleepy Hollow Reveiw |
3 / 629 |
|
| scream |
2 / 407 |
|
| The Bondock Saints |
5 / 1416 |
|
| The Breakfast Club (Intercommunications) |
4 / 1080 |
|
| Wild Straberries Theme |
2 / 561 |
|
| Descartes |
4 / 935 |
|
| Ousia |
3 / 637 |
|
| Philosophy |
3 / 616 |
|
| the bullshitter |
2 / 557 |
|
| Romero |
4 / 1064 |
|
| Court Testimony |
3 / 651 |
|
| Forensic Science |
3 / 731 |
|
| Osmosis |
2 / 511 |
|
| Shoes 101 |
3 / 886 |
|
| The Knee and Its Injuries |
2 / 502 |
|
| 16 Blocks: Jacks Ethical Dilemma |
2 / 364 |
|
| burberry |
6 / 1799 |
|
| Criminals And Crimes: Fact Vs. Fiction |
4 / 1103 |
|
| Immagration |
3 / 625 |
|
| thelma and louise film review |
2 / 433 |
|
| Viva La Revolution |
2 / 457 |
|
| Wizard of Oz Analysis |
4 / 1025 |
|
