| Title |
Pages / Words |
Save |
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
 |
| The True Ending |
2 / 466 |
|
| Dracula - Symbolism of Blood |
4 / 930 |
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| Cinema Paradiso |
4 / 1044 |
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| the patriot |
2 / 358 |
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| The Quiet American- A comparison |
4 / 911 |
|
| Media And Tv |
1 / 226 |
|
| uncovering cliques: the brekfast club |
1 / 298 |
|
| Iyer Essay |
2 / 502 |
|
| W. W. Y. D. |
2 / 464 |
|
| The Effect of Decentralized Information on Programming Languages |
7 / 2018 |
|
| Oedipus |
2 / 438 |
|
| Rock Hudsons Classic Hollywood Image |
5 / 1319 |
|
| Should Frankenstein be required reading in Language Arts Curriculum? |
3 / 799 |
|
| Deconstucting the Lion King |
14 / 3956 |
|
| Loreal |
3 / 678 |
|
| Walt Disney |
2 / 352 |
|
| Negative Music and the Effects on Human Behavior |
5 / 1441 |
|
| Symbolism in "The Moths" |
2 / 368 |
|
| frankenstein vs paradise lost |
2 / 403 |
|
| A Dark Revenge |
2 / 491 |
|
| into the wild two viewpoints |
4 / 1045 |
|
| Batman |
3 / 896 |
|
| Miss |
6 / 1628 |
|
| Influences Of The Internet On Young People |
1 / 298 |
|
| studying media |
4 / 1060 |
|
| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
| Heart of Darkness vs. Apocalypse Now |
4 / 915 |
|
| The magic barrel |
2 / 324 |
|
| Ronald Schaffer's America In The Great War |
5 / 1479 |
|
| Vodafone |
2 / 392 |
|
| Desensitization To Violence |
4 / 1158 |
|
| Memoirs of a geisha |
2 / 340 |
|
| Brokeback |
4 / 1014 |
|
| Why Teach Shakespeare? |
2 / 366 |
|
| How the west was won |
6 / 1613 |
|
| Reservations For One |
2 / 453 |
|
| utopia |
3 / 757 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| Nation Is Linkes To Family, Patriarchy, Society And Community In Bollywood |
4 / 1112 |
|
| Effects Of Propaganda Films On WwII |
9 / 2579 |
|
| The Crucible |
2 / 491 |
|
| Heart of Darkness Info |
3 / 810 |
|
| Hollywood's Attack On Religion |
6 / 1611 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| One Tear That Meant the World |
2 / 481 |
|
| Night |
2 / 468 |
|
| The Big Chill |
4 / 1073 |
|
| Life is Beautiful, a fable? |
2 / 386 |
|
| mel brooks |
6 / 1513 |
|
| Movie Piracy |
4 / 1077 |
|
| EDGAR ALLAN POE REVIEW |
5 / 1318 |
|
| Movies and Society |
2 / 418 |
|
| Tootsie |
2 / 449 |
|
| Dramatic Tragedy |
2 / 393 |
|
| brian eno |
2 / 429 |
|
| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
|
| information analyst |
1 / 273 |
|
| Movie Review |
2 / 400 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| All Quiet On The Western Front |
4 / 1016 |
|
| saturday night and rome,the open city |
6 / 1547 |
|
| Japanese Animation |
2 / 315 |
|
| Modern Man In Search Of A Soul |
7 / 1942 |
|
| 20th Century Arts And Artist Paper |
6 / 1618 |
|
| The Hero |
6 / 1715 |
|
| The Matrix |
8 / 2270 |
|
| Stephen King |
7 / 1826 |
|
| Stephen King |
7 / 1826 |
|
| Art Hist |
3 / 786 |
|
| Mr. Benz |
7 / 1963 |
|
| product placement |
11 / 3259 |
|
| Both Mary Shelley's ?Frankenstein' And Bram Stoker's ?Dracula' Are Co |
6 / 1799 |
|
| hey guysssss what |
2 / 378 |
|
| Filmmaking |
4 / 1027 |
|
| Life Goes On |
9 / 2634 |
|
| Cyberporn: On A Screen Near You |
1 / 297 |
|
| lynching |
2 / 402 |
|
| propaganda |
9 / 2558 |
|
| Paul Bernardo |
3 / 780 |
|
| All Quiet on the Wester Front, letter home from Paul Baumer...good if |
2 / 460 |
|
| raaaaa |
2 / 451 |
|
| war without mercy |
2 / 309 |
|
| Voodoo and its Orgins |
5 / 1449 |
|
| e-Portfolio Assignment / Plastics |
9 / 2464 |
|
| Cruel World |
11 / 3091 |
|
| Film Critique on The Deer Hunter |
5 / 1209 |
|
| violence |
5 / 1227 |
|
| The Media As A social Problem |
6 / 1719 |
|
| Rooter: A Methodology For The Typical Uni?Cation |
9 / 2667 |
|
| CRASH |
4 / 1050 |
|
| Summary of citizen kane |
3 / 702 |
|
| Romeo & Juliet Movie Comparison |
4 / 1091 |
|
| Female Asian Filmmakers |
10 / 2764 |
|
| Desiree's Baby |
3 / 876 |
|
| MOSEX |
2 / 507 |
|
| Reflection paper |
3 / 817 |
|
| Film Score Music |
11 / 3193 |
|
| Current Advertising Theory |
3 / 852 |
|
| Shakespeare on film-Observations |
2 / 366 |
|
| red and blue |
2 / 458 |
|
| Portrayl of Asian American in Film |
10 / 2856 |
|
| A Review of “The Garden Party” by Katherine Mansfield |
2 / 456 |
|
| George Gershwin |
2 / 372 |
|
| What September 11, 2001 Has Meant To Me |
2 / 434 |
|
| Comparison Between The Red Roo |
4 / 1123 |
|
| 9/11 Speech |
2 / 492 |
|
| Man With A Movie Camera |
3 / 695 |
|
| Edgar Allan Poe: Reflection Of His Pessimistic Moods In His Work |
2 / 386 |
|
| Mary Shelleys Life |
6 / 1607 |
|
| To Kill A Mockingbird 5 |
2 / 467 |
|
| Saving Private Ryan |
2 / 354 |
|
| tv violence |
2 / 383 |
|
| Christina Rossetti "Sleeping at Last" |
2 / 397 |
|
| T-series |
6 / 1578 |
|
| The call of the wild |
2 / 417 |
|
| Strange News From Another Star |
2 / 515 |
|
| Miramax Films To Hit Web |
2 / 355 |
|
| Richard Linklater: An Overview |
6 / 1625 |
|
| Human Destiny |
5 / 1209 |
|
| the title of a paper |
3 / 884 |
|
| graffitti art |
4 / 938 |
|
| Cold War |
4 / 923 |
|
| Cold War |
4 / 923 |
|
| Elvis, The King |
2 / 314 |
|
| Close Encounters of the Third Kind |
9 / 2509 |
|
| quentin tarentino |
11 / 3043 |
|
| Orson Welles In Othello and Citizen Kane |
6 / 1614 |
|
| Sex in Society |
4 / 913 |
|
| kodak company |
2 / 324 |
|
| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
|
| Language of the land |
2 / 433 |
|
| ballad of birmingham |
2 / 390 |
|
| Schindler's lost |
6 / 1641 |
|
| war movies |
2 / 457 |
|
| The Cask Of Amontillado |
4 / 948 |
|
| columbine- reflection on violence |
2 / 347 |
|
| The Evolution Of Profanity |
2 / 396 |
|
| Use Of Fairy Tales In Germany Pale Mother |
5 / 1315 |
|
| The Sniper |
2 / 511 |
|
| The Sniper |
2 / 511 |
|
| Have you Forgotten |
4 / 1066 |
|
| The Stand |
2 / 454 |
|
| Film |
8 / 2375 |
|
| "The Matrix" and Religion |
5 / 1448 |
|
| Heart of Darkness |
5 / 1259 |
|
| Mr. Deeds Review |
4 / 1074 |
|
| American History X |
2 / 487 |
|
| the grotesque |
7 / 1959 |
|
| altered states |
2 / 491 |
|
| A descent into the Maelstrom |
2 / 403 |
|
| Myth |
6 / 1533 |
|
| Wes Anderson |
7 / 1895 |
|
| Freddie Prinze Jr. |
5 / 1277 |
|
| Freddie Prinze Jr. |
5 / 1277 |
|
| Jekyll and Hyde |
5 / 1270 |
|
| The Other Sister Critque |
2 / 434 |
|
| The Bible |
4 / 928 |
|
| pleasantville |
2 / 383 |
|
| Apache And Cherokee Indians |
2 / 384 |
|
| Impact of sound upon a films thematic premise |
10 / 2719 |
|
| Nuclear Radiation |
2 / 545 |
|
| relationship between thrillers and society |
6 / 1527 |
|
| Heart of Darkness |
8 / 2237 |
|
| Edgar Allan Poe |
2 / 474 |
|
| Apocalypse Now Review |
5 / 1267 |
|
| Higher Days |
2 / 436 |
|
| Racism in Pocahontas |
6 / 1537 |
|
| counter strike essay |
2 / 308 |
|
| Frankenstein |
2 / 412 |
|
| The movement |
2 / 319 |
|
| Baz Luhrmann's production of Romeo & Juliet |
2 / 364 |
|
| Adam Sandler Sweety |
5 / 1250 |
|
| Spellbound |
2 / 434 |
|
| Privacy concern in ICT |
4 / 940 |
|
| Storytelling |
4 / 1060 |
|
| Special Effects |
5 / 1230 |
|
| French Revolution Lower Class |
2 / 440 |
|
| The Relationship Between Vacuum Tubes and Lambda Calculus |
9 / 2533 |
|
| Frankenstein |
5 / 1394 |
|
| Television |
2 / 401 |
|
| Term |
3 / 866 |
|
| Japanese in America |
2 / 465 |
|
| Jane Campion's, 'The Piano' |
8 / 2193 |
|
| Heart of Darkness |
3 / 878 |
|
| Scarface Review |
4 / 1020 |
|
| Pathos |
2 / 416 |
|
| COMING INTO FOCUS: THIRTY YEARS OF ASIAN AMERICAN INDEPENDENT FILMMAKING |
5 / 1281 |
|
| Picasso - Cultural Expression |
3 / 867 |
|
| Report on We Were Soldiers |
4 / 1093 |
|
| The Fall of the House of Usher Analysis |
6 / 1551 |
|
| Historical Accuracy : Gangs Of New York |
2 / 330 |
|
| The Many Mothers of Alfred Hitchcock |
2 / 593 |
|
| For The Greater Cause: Internet Cenorship |
3 / 879 |
|
| Small cars make a comeback |
2 / 455 |
|
| The Tell Tale Heart - critical analysis |
2 / 421 |
|
| Is One Rodman Enough |
3 / 895 |
|
| The Bluest Eye |
2 / 495 |
|
| Red Sorghum |
6 / 1631 |
|
