Title |
Pages / Words |
Save |
All the President's Men |
2 / 586 |
|
Reservoir Dogs |
3 / 624 |
|
Saving Private Ryan |
4 / 1019 |
|
Androgyny: Will of Shakespeare's Female Characters |
5 / 1437 |
|
Casablanca, A League of Their own, and The Greatest Generation |
5 / 1288 |
|
Eisenhower |
2 / 527 |
|
glory |
5 / 1369 |
|
history |
2 / 576 |
|
John and Abigail Adams |
3 / 640 |
|
America Aratara |
4 / 977 |
|
David Fincher |
2 / 468 |
|
Emily Dickinson |
2 / 514 |
|
jane austen |
4 / 901 |
|
matrix |
2 / 543 |
|
michelangelo |
2 / 476 |
|
Stanley Kubrick |
6 / 1713 |
|
"A Writers Style" - N. Scott Momaday Review |
5 / 1220 |
|
A Journey Into A Clockwork Orange |
2 / 561 |
|
american beauty |
5 / 1350 |
|
Inkspell |
2 / 515 |
|
Portrayal Of The Truth In Hollywood Films, Girl Interrupted, By Susanna Kaysen |
6 / 1670 |
|
Raskolnikov: A Dual or Split Personality |
2 / 505 |
|
Romeo and Juliet Movie comparison |
3 / 654 |
|
six characters in search of an author |
2 / 599 |
|
soliloquies in the merchant of venice |
3 / 717 |
|
The Matrix |
4 / 1011 |
|
The great gatsby "Party scene" |
2 / 578 |
|
To Kill A Mockingbird |
2 / 520 |
|
the outsiders |
2 / 493 |
|
Waiting for Godot |
6 / 1669 |
|
Zadie Smith |
2 / 588 |
|
O Business |
6 / 1733 |
|
Parable of Sadhu |
2 / 440 |
|
Problem Analysis Convention & Meeting Management |
3 / 618 |
|
Vince McMahon |
2 / 558 |
|
A Doll's House |
3 / 711 |
|
Beowulf and Gilgamesh |
7 / 1987 |
|
Beowulf |
2 / 547 |
|
Blindness [What can be used to mold society?] |
3 / 628 |
|
Bowling For Columbine as a carnivelsque |
5 / 1382 |
|
Caesar Essay |
2 / 512 |
|
Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
|
Comparison of Original Blade Runner film and Director's Cut |
7 / 1857 |
|
Cultural Studies |
2 / 405 |
|
Disease Images In Hamlet |
5 / 1321 |
|
Doctor Faustus As A Dignified Demise |
7 / 1824 |
|
Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
|
Grapes Of Wrath Project |
2 / 399 |
|
Great Santini |
2 / 558 |
|
Hamlet Mood Essay |
3 / 726 |
|
Hamlet and his problems |
7 / 2053 |
|
Hamlet |
2 / 453 |
|
Importance of Bein Earnest |
4 / 1153 |
|
Independent Reading Accountability on Pirates! |
3 / 611 |
|
Julius Caesar |
3 / 629 |
|
dante |
5 / 1216 |
|
day of locust |
2 / 460 |
|
fourteenth century |
8 / 2159 |
|
Living in Fight Club |
9 / 2670 |
|
Looking for Alibrandi |
6 / 1691 |
|
Macbeth Irony |
6 / 1573 |
|
Macbeth |
2 / 511 |
|
Macbeth: Symbolism |
2 / 496 |
|
Macbeth/Oedipus |
2 / 530 |
|
Midnight in the Garden of Good and Evil |
2 / 492 |
|
Miss |
4 / 1055 |
|
My Antonia: A Landscape Of Emotions |
2 / 524 |
|
Nothing |
3 / 610 |
|
Of Mine And Men And Othello |
3 / 776 |
|
One Tree Hill |
2 / 568 |
|
Our Town |
2 / 537 |
|
Pornography |
2 / 392 |
|
Red rose |
3 / 663 |
|
Roles of Women in Literature |
2 / 511 |
|
SHoe Horn Sonata Speech |
4 / 983 |
|
Sexism In "Othello" |
2 / 474 |
|
Show the importance of the ‘Balcony Scene’ (Act 2 Scene 2). How does this scene help us to understand the characters of Romeo and Juliet? How the scene might be presented in performance |
7 / 2044 |
|
Snow Falling on Cedars |
3 / 633 |
|
The old man and the sea - comparison between the book and the film |
5 / 1350 |
|
Unseen Forces: Lesbian relationships in Stoker's Dracula and Coppola's Bram Stoker's Dracula |
6 / 1599 |
|
oedipus rex vs hamlet |
5 / 1243 |
|
tom clancy |
2 / 493 |
|
A Look at Special Effects throughout History |
5 / 1350 |
|
Art History |
2 / 430 |
|
Caligula - motivations of the directors |
2 / 392 |
|
City of God |
3 / 678 |
|
Culture of Renaissance vs. Culture of Late Middle Ages |
2 / 535 |
|
Dead |
2 / 455 |
|
Deir El Mdina |
7 / 1909 |
|
Explication of Hiroshima |
2 / 533 |
|
Florence and the Renaissance Art Era |
2 / 437 |
|
GREEK THEATRE |
4 / 1009 |
|
precursors of the reinessance |
5 / 1367 |
|
Ramses the Great |
2 / 563 |
|
The Patriot |
2 / 525 |
|
A Career Of My Own |
3 / 601 |
|
Between Heaven and Earth |
4 / 999 |
|
Braveheart |
2 / 553 |
|
Catch-22 |
3 / 682 |
|
Close Company, Stories Of Moth |
2 / 583 |
|
Communications theory application |
5 / 1422 |
|
Development Of Art |
2 / 593 |
|
Dover Beach By Matthew Arnold |
9 / 2554 |
|
Dr. Jekyll And Mr. Hyde |
9 / 2554 |
|
Edgar Degas |
2 / 414 |
|
Gi Jane |
4 / 943 |
|
Godfather |
2 / 564 |
|
Goya |
2 / 418 |
|
Hiii |
2 / 458 |
|
KIDS HAVING KIDS |
3 / 687 |
|
Michelangelo 3 |
2 / 514 |
|
Much Ado About Nothing: Love And Marriage |
3 / 693 |
|
Much Ado About Nothing: Love And Marriage |
3 / 693 |
|
oh what |
4 / 1126 |
|
Patriot vs. Braveheart |
7 / 1820 |
|
Places and Spaces |
4 / 1071 |
|
Pornography |
2 / 392 |
|
pro abortion |
2 / 596 |
|
Ramses The Great |
2 / 563 |
|
Reservoir Dogs |
3 / 623 |
|
renesance art |
3 / 899 |
|
Sir Gawain And The Green Knight: The Role Of Women |
8 / 2159 |
|
Sweet Charity |
3 / 698 |
|
The Art Of War |
5 / 1288 |
|
The Beatles |
2 / 363 |
|
The Effectiveness Of The Opening To Hamlet |
4 / 1197 |
|
The Odyssey 5 |
2 / 490 |
|
The Rainmake - Film Review |
6 / 1541 |
|
The Scarlet Letter |
2 / 465 |
|
The Short Story Of Night - A C |
2 / 458 |
|
The Story Of English |
5 / 1234 |
|
The Things They Carried & A Soldier's Sweetheart |
4 / 1194 |
|
The United States of Leland |
3 / 677 |
|
To Kill A Mockingbird |
2 / 520 |
|
telephone |
2 / 548 |
|
Vacation |
2 / 549 |
|
Why Art Is Important To Religion |
3 / 605 |
|
A Bronx Tale |
2 / 541 |
|
A Midsummer Night's Dream |
2 / 559 |
|
Animal Farm: Comparison Between Book And Movie |
3 / 618 |
|
Assault on Precinct 13 |
2 / 442 |
|
asian art |
2 / 517 |
|
Braveheart |
2 / 553 |
|
Chinatown: Movie Analysis |
2 / 432 |
|
Cinematography |
4 / 1048 |
|
Citizen Kane |
2 / 600 |
|
Comparison Of Fellini's Nights Of Cabiria And La Dolce Vita |
7 / 1939 |
|
Crime and Punishment |
5 / 1217 |
|
citizen kane |
2 / 600 |
|
crash |
2 / 449 |
|
David Selznick And Since You Went Away |
8 / 2370 |
|
Desensitization To Violence |
4 / 1158 |
|
dr |
5 / 1257 |
|
Etre et Avoir - a documentary |
9 / 2553 |
|
Examine the ways in which Hollywood cinema has conventionally represented African Americans. |
6 / 1743 |
|
Film Lead Analysis: You've Got Mail |
2 / 455 |
|
Film Terms |
2 / 412 |
|
Godfather |
2 / 564 |
|
Harvey Movie Review |
3 / 852 |
|
Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
|
Kill Bill: A Technical and Aesthetic Analysis of the Film |
6 / 1516 |
|
Kramer vs. Kramer |
4 / 1066 |
|
LA confidential |
2 / 305 |
|
literally dancing |
2 / 555 |
|
M |
2 / 565 |
|
Madonna's Like a Prayer Analysis |
3 / 637 |
|
Memento |
3 / 900 |
|
Metropolis Film Review |
3 / 612 |
|
Moulin Rouge! Review |
4 / 1167 |
|
Movie: The Mission |
2 / 535 |
|
preach it mother |
2 / 537 |
|
Rebel Without a Cause |
3 / 749 |
|
SeaBiscuit Movie Review |
2 / 575 |
|
Symbolism in Run Lola Run |
2 / 559 |
|
Terrific looking film, especially during this era |
2 / 559 |
|
The James Bond Phenomenon |
3 / 657 |
|
The Sound of Blue Velvet |
2 / 411 |
|
Tv Drama Analysis |
2 / 498 |
|
the patriot review |
2 / 561 |
|
Walk the Line |
4 / 1063 |
|
What is Beef? |
2 / 448 |
|
Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? |
5 / 1220 |
|
young frankenstein/frankenstein comparison |
2 / 575 |
|
A Clockwork Orange Film Analysis |
2 / 536 |
|
Zen Vs Freud |
2 / 526 |
|
Emotional Memory & Gender Differneces |
2 / 499 |
|
Major points of hurt minds |
2 / 479 |
|
victorian art |
2 / 498 |
|
forensics |
2 / 543 |
|
Children, Television, and Violence |
2 / 584 |
|
criminal justice investigation |
5 / 1286 |
|
Gay USA |
2 / 510 |
|
new issue |
2 / 600 |
|
The truth behind the disguise in Far From Heaven |
6 / 1704 |
|
True Event in Colorful Film |
2 / 513 |
|
Violence and Video Games |
2 / 514 |
|
Work |
2 / 593 |
|
war in iraq |
4 / 932 |
|
Clock Arithmetic |
3 / 757 |
|
film and animation graphics |
4 / 1077 |
|