| Title |
Pages / Words |
Save |
| Regarding Henry |
2 / 541 |
 |
| Critique La Ventura |
3 / 813 |
|
| coco chanel |
2 / 345 |
|
| gangs of new york |
3 / 806 |
|
| Nancy Reagan |
2 / 367 |
|
| Blah |
2 / 563 |
|
| christopher reeve |
3 / 636 |
|
| Gattaca |
3 / 633 |
|
| Marilyn Monroe the babe |
3 / 659 |
|
| Steven Spielberg |
3 / 716 |
|
| Wolfgang Amadeus Mozart |
3 / 693 |
|
| A Clean, Well Loghted Place- Survival through Irony |
1 / 37 |
|
| a clockwork orange |
2 / 475 |
|
| Ernestine |
3 / 686 |
|
| fahrenheit 451 |
2 / 383 |
|
| I Know What You Did Last Summer |
2 / 454 |
|
| Infinite Jest |
3 / 764 |
|
| Super size me |
3 / 788 |
|
| saving PVT Ryan |
2 / 462 |
|
| Analysis of Film "Twelve Angry Men" |
5 / 1441 |
|
| Arundel Partners |
6 / 1779 |
|
| Arundel |
7 / 1827 |
|
| Defining Marketing |
3 / 641 |
|
| Individual Ethics |
2 / 532 |
|
| kodak (underwork) |
3 / 684 |
|
| Sam's Dream is Dead |
6 / 1521 |
|
| AIDS and The Representation of social Reality |
3 / 714 |
|
| American Psycho: Analysis Of Novel And Movie Production |
6 / 1574 |
|
| Beowulf |
3 / 876 |
|
| Bowling for Columbine |
3 / 859 |
|
| Chinatown: Above the Film Noir Genre |
5 / 1405 |
|
| Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
|
| Dead Poets Society |
2 / 385 |
|
| Edgar allan poe |
3 / 831 |
|
| Fight club |
4 / 1041 |
|
| Film Noir |
8 / 2295 |
|
| Jerry Mcguire |
2 / 563 |
|
| Language in Short Stories |
1 / 153 |
|
| change |
3 / 744 |
|
| crash as the prejudice and misjudging |
3 / 653 |
|
| essay |
2 / 532 |
|
| hehe |
4 / 996 |
|
| Mansfield Park, the novel, or Mansfield Park the film? |
6 / 1742 |
|
| Movie Review |
4 / 1038 |
|
| Of Mice and Men, Power of One--Comparison |
3 / 684 |
|
| Ollie Vs. The Dragon |
2 / 574 |
|
| One Flew Over the Cuckoo's Nest- Book and movie comparison |
7 / 1885 |
|
| Phil's reading list analysis |
4 / 1190 |
|
| Review |
2 / 494 |
|
| Riding The Bus Wih My Sister Visual Rep |
2 / 491 |
|
| Romeo and Juliet |
3 / 872 |
|
| Shakespeare in Love |
7 / 1928 |
|
| Systemology |
2 / 366 |
|
| Television Broadcast |
3 / 625 |
|
| Text shape society - respond with reference to film |
7 / 1964 |
|
| Texts That Allow Us To Engage In The Concept Of "New Worlds" |
4 / 974 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Truman Show |
1 / 200 |
|
| To Be Or Not To Be |
7 / 1822 |
|
| Toy Story Annalysis |
6 / 1701 |
|
| Virgin Suicides |
4 / 910 |
|
| pleasantville |
3 / 835 |
|
| wuthering heights |
7 / 1954 |
|
| Gladiator |
5 / 1269 |
|
| Hotel Rwanda Critique |
3 / 807 |
|
| Last Of The Mohicans |
2 / 400 |
|
| russian revolution |
2 / 313 |
|
| Spartacus |
4 / 1148 |
|
| Ufo accident |
2 / 506 |
|
| whitlam |
3 / 821 |
|
| Different Forms Of Art |
3 / 620 |
|
| "The Blue Planet" Summary Essay |
2 / 469 |
|
| A Bridge |
1 / 226 |
|
| An Obscured Message |
5 / 1267 |
|
| Anaylsis Of The Film: Fight Club |
4 / 1092 |
|
| BMW Z3 Roadster |
2 / 503 |
|
| Blacks In Film |
4 / 1150 |
|
| China Town |
5 / 1277 |
|
| Cinema of Attraction |
5 / 1334 |
|
| dodgeball |
3 / 883 |
|
| Essay On Bladerunner |
4 / 1131 |
|
| Ethan From - Contrast Between Film And Novel |
4 / 923 |
|
| fight club |
4 / 1117 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| Historical Accuracy In Films |
6 / 1711 |
|
| History Of The French New Wave |
5 / 1470 |
|
| horror movie directors |
6 / 1706 |
|
| Life's Ways with Unfair Love |
2 / 530 |
|
| Mean Girls- film analysis |
5 / 1383 |
|
| Media In The Seventies |
2 / 524 |
|
| Movie Piracy |
4 / 1077 |
|
| Music In The Movies: Experiencing Something New |
6 / 1738 |
|
| Realism |
4 / 1150 |
|
| rambo |
4 / 1111 |
|
| Sound Vs. Silence |
3 / 889 |
|
| scar |
2 / 495 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Mirror Of Time And Memory |
6 / 1561 |
|
| Who Is The Hero |
4 / 1107 |
|
| Wolfgang Amadeus Mozart |
3 / 693 |
|
| American Beauty |
5 / 1459 |
|
| American Filmmaking History/D.W. Griffith and the age of progressivism |
4 / 962 |
|
| American History X |
3 / 797 |
|
| Analysis Of The Final Scenes Of Alfred Hitchcock's Notorious |
5 / 1267 |
|
| Anaylsis Of The Film: Fight Club |
4 / 1092 |
|
| Apocalypse Now vs Heart of Darkness |
4 / 1026 |
|
| analysis of germinal |
2 / 552 |
|
| Birth of a Nation |
2 / 566 |
|
| Blue Crush Film Review |
4 / 941 |
|
| Buster Keaton's The Cameraman |
4 / 1174 |
|
| CInema Paradiso |
2 / 549 |
|
| China Town |
5 / 1277 |
|
| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
| Crash: Culture Shock and Race |
2 / 514 |
|
| Crime Films |
7 / 2043 |
|
| close encounters of third kind |
3 / 753 |
|
| Eat Drink Man Woman Summary |
3 / 621 |
|
| Edwin S. Porter |
7 / 1905 |
|
| Enemy of the State |
5 / 1275 |
|
| Essay on the film, "Shine"... How film codes shape audience response in the exposition. |
4 / 1088 |
|
| Etre et Avoir - a documentary |
9 / 2553 |
|
| Femme Fatale: Evil or not |
6 / 1509 |
|
| Fight Club review |
4 / 1136 |
|
| Film Auteurs |
5 / 1306 |
|
| Film Review Of American History X" |
4 / 1015 |
|
| Four Short Essays on "Harold and Maude, pt. 1 |
2 / 349 |
|
| Franco Zeffirelli And Baz Luhrmann's Romeo And Juliet |
4 / 979 |
|
| French New Wave |
4 / 1149 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| High Fidelity |
2 / 481 |
|
| Hindi cinema |
4 / 932 |
|
| How effectively does the opening sequence of "Saving Private Ryan" convey the sadness and horror of war? |
6 / 1774 |
|
| Invasion of the Body Snatchers |
2 / 566 |
|
| i Robot |
2 / 514 |
|
| Jack Nicholson, Star? |
2 / 369 |
|
| Ladri di Biciclette |
4 / 1193 |
|
| Lorenzo's Oil |
4 / 1001 |
|
| Lucas: King Of Film |
5 / 1286 |
|
| Malcolm X |
5 / 1232 |
|
| Meet me in St, Louis and the Aspect of Sound |
4 / 1002 |
|
| OSCARS |
3 / 775 |
|
| Oral Prensentation On Prom Night |
3 / 861 |
|
| PAris Hilton |
2 / 436 |
|
| Planet of the Apes |
4 / 1041 |
|
| Power to the Little People |
2 / 432 |
|
| Psycho |
1 / 204 |
|
| Pulp Fiction Narrative |
4 / 955 |
|
| photography |
8 / 2376 |
|
| Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju |
3 / 886 |
|
| Rick Blaine, nations front figure |
3 / 856 |
|
| response to shrek the movie |
2 / 480 |
|
| road to perdition |
4 / 937 |
|
| Seven Samuari |
5 / 1340 |
|
| Shrek, Basic Communication |
6 / 1778 |
|
| Steven Spielberg |
3 / 716 |
|
| star wars |
2 / 553 |
|
| Thank you for smoking |
3 / 883 |
|
| The Great Bollywood |
5 / 1292 |
|
| The Mirror Of Time And Memory |
6 / 1561 |
|
| The Mission: Inaccurate Portrayals Of The Guarani And Jesuit Relations |
5 / 1444 |
|
| The Study Of National Cinema |
5 / 1220 |
|
| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
| The matrix |
4 / 1036 |
|
| Wag the Dog |
4 / 971 |
|
| Waking Life |
4 / 1102 |
|
| When Harry Met Sally |
4 / 1057 |
|
| Effects of Machiavellianism |
2 / 441 |
|
| Modernism vs. Postmodernism |
4 / 1094 |
|
| Up Series: 35 Up |
3 / 828 |
|
| 12 angry man |
4 / 1101 |
|
| Interpersonal comm. "Good Will Hunting" |
4 / 1145 |
|
| Regarding Henry |
2 / 439 |
|
| Stress |
2 / 491 |
|
| Buddhism and the Matrix |
4 / 992 |
|
| Star child evolution in 2001 |
4 / 1041 |
|
| The Truth about the war in Iraq |
5 / 1267 |
|
| War on Terrorism |
2 / 470 |
|
| Biological Techniques |
2 / 435 |
|
| Holograms |
4 / 1057 |
|
| Holograms |
4 / 1052 |
|
| Medicine |
2 / 487 |
|
| Psychology of Learning |
6 / 1534 |
|
| Space exploration |
4 / 1048 |
|
| Spacecraft constructions |
4 / 1049 |
|
| Zinc oxide |
2 / 361 |
|
| boys in the hood |
1 / 202 |
|
| Censorship in America |
4 / 1060 |
|
| Crashing into Reality |
6 / 1698 |
|
| Development Of A New Zealand Identity |
3 / 665 |
|
| Fahrenheit 9/11 |
7 / 1877 |
|
| Gender Oppression |
6 / 1512 |
|
| globalisation and its impacts on mexico |
4 / 989 |
|
| internally displaced people |
3 / 706 |
|
| jane goodall |
2 / 547 |
|
| kit kat preoject |
7 / 1899 |
|
| Pop Culture |
3 / 689 |
|
| stereotypes: mammy |
4 / 920 |
|
| The Jfk Assassination: Conspiracy Or Single-gunman? |
5 / 1396 |
|
| The Others |
5 / 1394 |
|
| Emotional Response to Computer Generated Special Effects:Realism Revisited |
7 / 1964 |
|
