| Title |
Pages / Words |
Save |
| What It Takes To Produce A Film |
3 / 844 |
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| Tragically Real |
5 / 1371 |
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| Bowling For Columbine as a carnivelsque |
5 / 1382 |
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| Alexander The Greats Struggles |
3 / 728 |
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| Music In The Movies: Experiencing Something New |
6 / 1738 |
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| A Comparison Of Multi-valued Orientation And Two Valued Orientation |
2 / 312 |
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| Fads in the 1940s |
1 / 279 |
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| Analysis Of Maltese Falcon |
4 / 994 |
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| Analysis of the Maltese Falcon |
4 / 994 |
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| Mel Gibson |
5 / 1365 |
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| research outline |
1 / 165 |
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| Annie Hall and Manhattan: Two different ways of looking at New York's Beauty |
8 / 2209 |
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| Philosophy of Truth |
4 / 1024 |
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| Analyze The Preface To Roy Harris’S Rethinking Writing With Respect To Style, Structure And Organisation And Comment On Whether It Is A Good Introduction To The Book. |
4 / 1073 |
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| It's more than just Pants |
3 / 840 |
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| Moral Issues Within Gattaca |
3 / 728 |
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| Empirical Methods |
2 / 313 |
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| Marketing |
2 / 434 |
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| Seabiscuit |
1 / 126 |
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| picasso movie |
2 / 334 |
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| Zen Buddhism In Japan |
6 / 1518 |
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| Analysis Of The Fog Of War: Eleven Lessons By Robert S. Mcnamara |
4 / 1024 |
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| The Lost Truth |
2 / 375 |
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| I am Sam psychology movie review |
2 / 433 |
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| confession |
5 / 1336 |
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| interdiciplinary study |
3 / 787 |
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| Horror Movies Are a Waste of Time |
4 / 942 |
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| Hmong Diaspora and Media |
2 / 301 |
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| Vera Drake |
5 / 1222 |
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| A Beautiful Mind |
3 / 644 |
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| Socrates |
5 / 1499 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Casablanca |
2 / 486 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| Such A Beast!: Sexuality And Humanization In Dracula |
5 / 1304 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
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| Instructional Design |
2 / 543 |
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| the life of david gale film review |
4 / 1011 |
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| pythagoras report |
1 / 300 |
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| Kite Runner Movie |
1 / 298 |
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| Mahatma Gandhi |
3 / 616 |
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| Final Cut Marketing Outline |
1 / 277 |
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| Everest |
2 / 525 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Pos 406 Week 2 |
1 / 242 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| The Wizord Of Oz Symbolizing The Gilded Age |
2 / 533 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| The Royal Tenenmbaums |
3 / 860 |
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| Philosophie's of Sophies World |
4 / 1147 |
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| Liberty Valance |
2 / 398 |
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| American Beauty |
4 / 1122 |
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| Life & Debt |
2 / 444 |
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| Crash - Analysis |
2 / 533 |
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| life, a short comedy |
1 / 272 |
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| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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| Rabbit Proof Fence |
4 / 1073 |
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| The Fight For Terri |
12 / 3364 |
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| Reading And Comprehension |
1 / 252 |
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| Rashomon |
3 / 722 |
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| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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| Miss |
4 / 1055 |
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| Norman Rockwell |
3 / 698 |
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| Hamlet |
2 / 453 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| The Tommyknockers and Nuclear Energy |
3 / 634 |
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| Madonna |
4 / 1071 |
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| Planet of the Apes |
3 / 848 |
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| White Man's Muscles |
4 / 908 |
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| Review: Pulp Fiction |
3 / 776 |
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| Censorship |
4 / 945 |
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| Bridge over the River Kwai |
2 / 476 |
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| Patch Adams |
2 / 510 |
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| Video-psychology-past, Present |
2 / 462 |
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| Art and Business of Film Making |
6 / 1577 |
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| A Fair Lady |
3 / 701 |
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| Far and Away |
3 / 827 |
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| School of Athens |
4 / 1087 |
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| Current Event |
2 / 311 |
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| Ethics Worksheet |
2 / 511 |
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| Firestarter |
3 / 769 |
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| Oedipus the King |
3 / 671 |
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| Interview with Mel Stuart |
4 / 977 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Film Openings |
3 / 784 |
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| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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| Beloved |
4 / 963 |
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| Othello V.’S. Macbeth: Battle Of Tragedy |
8 / 2308 |
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| Donnie Brasco |
2 / 315 |
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| Parkers representation of Othello |
3 / 766 |
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| Macbeth Film Interpretation |
4 / 1032 |
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| Taming of the shrew appropriation 10 things |
6 / 1557 |
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| Film Industry: then and now |
4 / 1111 |
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| Rhetorical Analysis for "Who Killed the Electric Car?" |
5 / 1208 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| War In Cinema |
3 / 885 |
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| Application for Tenancy |
2 / 428 |
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| Two Great Works |
4 / 1122 |
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| Thin |
3 / 676 |
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| Curious Incident of the dog in the nighttime |
2 / 515 |
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| Ethical Filter Worksheet |
2 / 460 |
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| ritchie rich |
2 / 433 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| Thrasymachus vs. Glaucon |
4 / 1138 |
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| The Comparison Between China and Japan |
1 / 265 |
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| Plato |
4 / 1048 |
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| Blue Velvet: Scene Analysis |
2 / 594 |
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| Francis Bacon and the Scientific Method |
1 / 236 |
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| history of hollywood |
3 / 854 |
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| Horror Show |
2 / 397 |
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| Annie Hall and Jesus |
3 / 750 |
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| George Lucas |
6 / 1601 |
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| George Lucas |
6 / 1601 |
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| kramer Vs kramer |
4 / 908 |
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| Aristotle |
1 / 295 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| Meta-Physical Language - Does It Have Meaning? |
4 / 969 |
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| 007 |
23 / 6721 |
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| indian cinema |
3 / 713 |
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| Managerial Accounting Ch. 21 |
2 / 372 |
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| ancient greek contributions to the wester civilization |
3 / 606 |
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| Oedipus - Fate |
3 / 791 |
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| Plato- LAst days of socrates |
4 / 1052 |
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| Media |
3 / 700 |
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| Woody Allen |
3 / 658 |
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| The Pursuit of Happiness |
2 / 393 |
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| Billy Elliot |
2 / 342 |
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| Random Comparison |
2 / 503 |
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| The Most Convincing Propogandist |
5 / 1204 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| James A. Michner's: TEXAS |
3 / 724 |
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| Of Mice and men |
5 / 1326 |
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| Famine, Affluence Morality |
3 / 708 |
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| Vertigo |
4 / 1072 |
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| Psycho |
2 / 489 |
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| False Memory |
3 / 766 |
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| Term Papers on Aristocrcy |
5 / 1439 |
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| Individual Time Management Report |
5 / 1489 |
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| Bye Bye Brazil |
3 / 715 |
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| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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| The Bicycle Thief |
4 / 1119 |
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| Vice Virtue |
3 / 831 |
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| Gattaca |
3 / 725 |
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| Crucible - Events |
2 / 556 |
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| USING COMPUTERS |
1 / 299 |
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| beautiful mind |
2 / 441 |
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| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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| ^case study analysis |
2 / 597 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| It happened One Night Film |
3 / 616 |
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| George Eastman |
2 / 514 |
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| Healthy Eating Plan comparison |
3 / 891 |
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| Tarantino |
5 / 1293 |
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| Virtues |
2 / 355 |
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| citizen kane |
2 / 600 |
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| Citizen Kane |
2 / 600 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Method and Madness: Education in Plato's Republic and Aristotle's Politics |
8 / 2250 |
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| greek contributions to civilization |
3 / 623 |
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| Alexander the Great |
6 / 1546 |
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| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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| Management Leadership |
6 / 1633 |
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| the piano movie |
3 / 609 |
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| How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
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| Spinning Gasing |
4 / 1104 |
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| A Clockwork Orange Film Analysis |
2 / 536 |
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| Chisthom |
1 / 280 |
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| Me |
1 / 290 |
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| Space Jam |
2 / 467 |
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| Comparison Of Two Films: |
5 / 1238 |
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| research and decision making |
6 / 1786 |
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| Mrs Dalloway - Analysis Of The |
2 / 427 |
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| Shine - David Helfgott |
2 / 512 |
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| Shakespeare in Love |
7 / 1928 |
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| capra cu trei iezi |
2 / 549 |
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| A Beautiful Mind |
2 / 383 |
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| Emotional Response to Computer Generated Special Effects:Realism Revisited |
7 / 1964 |
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| parent and child relationships |
2 / 493 |
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| 8 megapixel phone |
1 / 277 |
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| Religion vs. Philosophy |
4 / 1180 |
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| self-concept |
1 / 245 |
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| Harry Potter Differences |
4 / 1154 |
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| Othello Movie Review |
2 / 418 |
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| Deceiving Images of Bowling for Columbine |
6 / 1638 |
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| I never sang for my father |
3 / 857 |
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| Streetcar Named Desire Essay |
2 / 591 |
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| Film: Philadelphia, Aids/Gay |
7 / 1853 |
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| Alfred Hitchcock |
4 / 945 |
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| 23 |
1 / 266 |
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| Alexander the Great |
6 / 1558 |
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| Alfred Hitchcock |
4 / 965 |
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| Alexander The Great |
6 / 1561 |
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| True Event in Colorful Film |
2 / 513 |
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| faherenheit 9/11 |
4 / 1171 |
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