Title |
Pages / Words |
Save |
Sun Angel |
2 / 498 |
 |
Beowulf |
2 / 510 |
 |
Hamlet |
2 / 477 |
 |
Historical Validity in 2004's "The Alamo" |
2 / 377 |
 |
how american history influnenced literature |
2 / 428 |
 |
Native americans |
2 / 387 |
 |
Andrew Jackson |
2 / 324 |
 |
A Dark Revenge |
2 / 491 |
 |
A Very Old Man with Enormous Wings |
2 / 308 |
 |
An Example In Literature Of How An Experience Can Have Significance On |
3 / 669 |
 |
Appearance Versus Reality |
2 / 521 |
 |
Araby |
2 / 344 |
 |
Book Card: The Adventures of Huckleberry Finn |
3 / 699 |
 |
Cal ( Bernard MacLavetry) |
4 / 910 |
 |
Careful paper |
1 / 234 |
 |
Character Analysis of Angel Clare |
2 / 476 |
 |
Characterization Of Uncle Henry |
2 / 399 |
 |
Conflikt in Jack LOndon's "To bild a Fire" |
1 / 291 |
 |
character |
1 / 196 |
 |
Dr. Heidegger's Exparament |
2 / 379 |
 |
Flowers For Algernon |
3 / 664 |
 |
Half A Day |
3 / 876 |
 |
Huck Finn's Use Of The Tall Tale |
2 / 340 |
 |
invincible |
1 / 259 |
 |
Live free or don't live at all |
5 / 1280 |
 |
Lord of The Rings |
5 / 1416 |
 |
Memoirs Of A Geisha |
2 / 430 |
 |
medicine river |
2 / 420 |
 |
Oedipus |
2 / 406 |
 |
Of Mice And Men |
2 / 427 |
 |
only daughter |
2 / 463 |
 |
Research |
2 / 439 |
 |
Taming of the Shrew Critical Lens |
2 / 367 |
 |
The Blue Bouquet Analysis |
3 / 759 |
 |
The Odyssey |
2 / 564 |
 |
The Rattler essay |
3 / 675 |
 |
The Story Of An Hour: Irony |
2 / 469 |
 |
The Things They Carried |
3 / 773 |
 |
The most dangerous game |
3 / 602 |
 |
Tragedy In Oedipus Rex |
2 / 574 |
 |
the golden compass |
1 / 274 |
 |
the importance of metafiction as a literary device in The Things They Carried |
3 / 734 |
 |
the stranger |
2 / 550 |
 |
Use Of Colors |
5 / 1471 |
 |
William Faulkner's The Bear and Barn Burning: A Comparison |
2 / 518 |
 |
where are you going? where have you been? |
3 / 789 |
 |
high school |
1 / 260 |
 |
A & P |
2 / 339 |
 |
A Child's View |
2 / 372 |
 |
A Rose for Emily |
2 / 413 |
 |
Abduction |
3 / 755 |
 |
An Occurrence on Owl Creek Bridge |
3 / 606 |
 |
Analyse michele robers 'YOUR SHOES' in detail discussing symbol, structure etc |
11 / 3296 |
 |
Black Boy |
3 / 782 |
 |
Bless me ultima |
1 / 195 |
 |
Boys And Girl |
2 / 334 |
 |
Cask of amontillado |
2 / 503 |
 |
Characterization: “The Tell-Tale Heart” |
3 / 622 |
 |
Chrysanthemums |
2 / 391 |
 |
Compare and Contrast Poe's Use of Point-of-View in Each Story |
3 / 751 |
 |
Compare |
2 / 328 |
 |
Contents of the Dean Man's Pocket |
2 / 347 |
 |
Creative Writing: A Day At The Park |
2 / 523 |
 |
Critical Response Paper to King's "The Body" |
3 / 771 |
 |
Dark They Were And Golden-Eyed By Ray Bradbury |
2 / 343 |
 |
Dead Men's Path |
2 / 385 |
 |
Death Of A Salesman |
3 / 856 |
 |
Death of a salesmen |
1 / 262 |
 |
English 1B Essay #1 |
2 / 322 |
 |
Explication of Diane Thiel's "The Minefield" |
1 / 270 |
 |
Fortune' |
2 / 334 |
 |
George Orwell's Writing techniques in Animal Farm |
3 / 634 |
 |
How Discrimination is a Major Theme in the Short Stories. |
2 / 505 |
 |
How I Met My Husband - Literary Essay |
3 / 644 |
 |
How to Tell a True War Story |
4 / 915 |
 |
In Bad Blood, find the passage which begins in chapter 8 with ?My mother felt?' (p.125) and finishes in chapter 9 with ?I found a place to hide.' (p.131). |
4 / 1112 |
 |
In the Gloaming |
3 / 661 |
 |
Invisible Man Entry |
2 / 347 |
 |
Jimmy Cross: The things they carried |
4 / 1163 |
 |
Jon Krakauer's Into The Wild: An Inspiring Story For All Ages |
3 / 727 |
 |
Literacy Event |
1 / 175 |
 |
"Grandma" Short Analysis |
2 / 510 |
 |
"The Red Convertible" by Louise Erdrich |
4 / 998 |
 |
are you ready boots |
1 / 261 |
 |
beowulf |
3 / 631 |
 |
blinking eye |
2 / 443 |
 |
five forty eight |
2 / 317 |
 |
idealistic views of love |
2 / 419 |
 |
Love Song of J Alfred Prufrock |
3 / 761 |
 |
Macbeth: Schizophrenic? |
4 / 1004 |
 |
Mama In "Everyday Use" |
2 / 333 |
 |
Marriage |
2 / 441 |
 |
Miss Brill and You're ugly too |
4 / 1010 |
 |
Ms. |
6 / 1745 |
 |
My First Time Home |
4 / 911 |
 |
Notorious Jumping Frog of Calaveras County |
2 / 600 |
 |
Paddy Clarke Ha Ha Ha |
2 / 456 |
 |
Pefection Can Kill |
3 / 637 |
 |
Playboy of the Western World |
2 / 472 |
 |
Point of View in Sonny's Blues |
4 / 938 |
 |
Power exists mostly in shades of black and white |
3 / 737 |
 |
Quests |
3 / 840 |
 |
Raymond Carver's Cathedral |
3 / 860 |
 |
Raymond Carver, 'The father' |
2 / 335 |
 |
Red to Green |
3 / 870 |
 |
References To The Moon In 'Moon Palace' |
2 / 366 |
 |
Sadness in Kate Chopins The Locket |
1 / 296 |
 |
Sarny |
2 / 423 |
 |
Shakespeare's Romeo And Juliet |
2 / 508 |
 |
Shelly |
2 / 330 |
 |
Sonny's blues |
1 / 133 |
 |
Story of the Hour |
2 / 464 |
 |
Stylistic Prose Techniques |
2 / 504 |
 |
Symbolism in "A Rose For Emily" |
2 / 568 |
 |
Tess of the D'urbervilles |
4 / 1050 |
 |
The Catcher in the Rye |
5 / 1314 |
 |
The Dialects Of English Language |
3 / 836 |
 |
The First Seven Years |
2 / 430 |
 |
The Hidden Truth In The Hills |
3 / 609 |
 |
The Man That Went to Chicago |
3 / 609 |
 |
The Masque of the Red Death |
2 / 455 |
 |
The Necklace |
2 / 479 |
 |
The Passing of Grandison |
2 / 530 |
 |
The Perfect Season |
2 / 480 |
 |
The Story of an Hour |
2 / 461 |
 |
The Symbol Of A Lion |
2 / 455 |
 |
The Yellow Wallpaper |
3 / 821 |
 |
The Yellow Wallpaper/ A Rose for Emily |
3 / 711 |
 |
The story of an hour |
2 / 585 |
 |
To Build a fire |
2 / 569 |
 |
Vengeance In the Odyssey |
3 / 651 |
 |
Yellow Woman |
1 / 177 |
 |
retinitis pigmentosa |
2 / 458 |
 |
shooting an elephant response |
2 / 454 |
 |
stroies influence/balzac |
2 / 348 |
 |
the story of an hour |
3 / 787 |
 |
atlantis |
3 / 771 |
 |
King Arthur: Fact or Fiction |
2 / 406 |
 |
Random |
1 / 279 |
 |
The notion of modern eroticism in the imagery of Ancient Greece and Rome. |
6 / 1612 |
 |
Don Quixote |
3 / 666 |
 |
Absolute Power Corrupts Absolu |
1 / 243 |
 |
Absolute Power Corrupts Absolu |
1 / 243 |
 |
Another Antigone |
2 / 512 |
 |
Atlantis: We Will Never Know |
3 / 771 |
 |
Bag Of Bones |
1 / 183 |
 |
Balthazar |
1 / 260 |
 |
Cabaret |
4 / 939 |
 |
Casking |
2 / 489 |
 |
Chrysanthemums |
2 / 391 |
 |
dover Beach By Arnold: Irony, Images, And Illusions |
2 / 480 |
 |
Fables |
2 / 461 |
 |
Flowers For Algernon |
3 / 664 |
 |
In Our Time |
2 / 415 |
 |
Japanese in America |
2 / 465 |
 |
More Than Just A Shirt |
2 / 456 |
 |
My First Time Home |
4 / 911 |
 |
Narcissistic Personality Disorder (npd) - Criteria |
2 / 344 |
 |
Naturalism |
3 / 742 |
 |
Of Mice And Men |
2 / 427 |
 |
Pinocchio |
1 / 226 |
 |
Response to "The Lottery" and "Eveline" |
2 / 454 |
 |
SAR |
2 / 486 |
 |
Sarah Canary |
2 / 463 |
 |
Suffer The Little Children - S |
2 / 581 |
 |
THe lottery |
2 / 400 |
 |
The Artificial Family |
3 / 653 |
 |
The Basilisk |
3 / 845 |
 |
The Demon Lover |
4 / 933 |
 |
The Steel Windpipe |
3 / 645 |
 |
The Things They Carried |
3 / 773 |
 |
The journey, not the arrival, matters |
5 / 1298 |
 |
Young Goodman Brown - Symbolism |
3 / 757 |
 |
Young Goodman Brown, The Maypole Of Merrymount, And The Birth-mark |
2 / 557 |
 |
Young Goodman Brown |
2 / 557 |
 |
A Beautiful Mind |
2 / 315 |
 |
Construnction Of Film |
5 / 1237 |
 |
Eternal Sunshine of the Spotless Mind-A Fantastical Journey to Empathy |
7 / 1981 |
 |
How Appropriate is "Life is Beautiful" ? |
2 / 400 |
 |
Songs from the Labyrinth review |
5 / 1352 |
 |
Video Games vs. Children |
6 / 1713 |
 |
Media is a scapegoat |
4 / 1092 |
 |
The lottery |
3 / 709 |
 |
Video Games: Where's the Harm? |
6 / 1614 |
 |
Creation In Mythology |
3 / 693 |
 |
Genesis |
2 / 479 |
 |
johns theme paper |
2 / 329 |
 |
Religion |
2 / 462 |
 |
The Life of Job and J.B, |
3 / 656 |
 |
The book of Genesis |
3 / 766 |
 |
And of Clay Are We Created |
1 / 246 |
 |
COmparisons |
3 / 697 |
 |
Female Dominance Or Male Failure? |
5 / 1207 |
 |
LVMH |
3 / 855 |
 |
Media Text Analysis |
3 / 849 |
 |
Mid-road family |
3 / 709 |
 |
Rape |
3 / 627 |
 |
Cars |
2 / 366 |
 |
crappypaper |
3 / 754 |
 |
What makes a good video game? |
2 / 543 |
 |