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Religious themes such as temperance, penance and reconciliation are central to how the film works as a film, and clearly demonstrate how it is highly conducive to theological exploration. The theological theme that I am going to explore in more detail is the Catholic sacrament of Confession and Penance, taking into consideration the relationship between the traditional Catholic view of confession and the ideas of the sacrament that I bring to the film as a viewer.
As the story opens, Vianne and Anouk are carried by a strong north wind to a small, quiet village in France around the year 1959. Possibly the wind motif, that is constant throughout the film, is a parable for the theological theme of the Holy Spirit, acting as the principle force that has drawn Vianne to the village...
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