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The second part, the B1-A1 portion, explains or expands the idea of the first group through a parallelistic structure, where B1 expands on B and A1 expands on A. The poetic parallelism between the phrases "image of God" (B) and "male and female" (B1) thus reveals that the "image of God" is reflected not only in the man, or the "male," but in both "male and female." In other words, the one, standing alone, cannot fully express the image of God without the other: it takes the collective attributes and functions of both man and woman to fully reflect the image of God. The creature of performance (the "male") cannot completely reflect the image of God without the creature of relationship (the "female")...
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