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In film noir and their predecessors, directors and writers emphasize this ability to represent how women cannot only be the heroine but also the force that motivates their male peers. Films such as The Cabinet of Dr. Caligari, Nosferatu, The Maltese Falcon, and Metropolis, stress how women act as icons of power and symbols of either good or evil, allowing them to break the mold of being helpless creatures needing a man to support them.
Nosferatu, the story of a vampire yearning to spread his terror, depicts a woman in a way that embodies the characteristics that make them a powerful entity. Ellen, the wife of the real estate agent Hutter, appears to be in the beginning of the film a feeble and even naive woman who depends on her husband just to function in daily life...
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Common topics in this essay:
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