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The controversy here lays in the juxtaposition of life and death. The setting and the distinction between light and dark that David uses help to reinforce the contrasts in his subject matter – both physically as represented on canvas, and philosophically from within the story he is telling. A broad tonal range, with bright light and skin tones move through duller brownish hued skin and dark recesses and corners shown in the room itself. Philosophically the contrasts are of good and evil, right and wrong, freedom and constraint – all of which speak of a moral and immoral use of authority in this situation...
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