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1992 ? Nov. 1993) was a unique rhetorical event that dramatically engaged the social fragmentation and technological embodiment of contemporary life. Critical responses celebrated Zoo TV's parody of the postmodern condition. However, within the show were some elusive elements that served a narrative purpose as much as they supported a sophisticated social commentary. In Zoo TV, U2 project themselves as a technologically re-configured rock band, lament their own simulated and objectified forms, and then try to deconstruct what they have become by recovering some repressed spiritual moorings. This tension between spiritual grounding and postmodern fragmentation is an aspect of Zoo TV that critics have failed to reconcile...
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