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Essay text:
I speak of the Imam in his community, the visual documentation of the Imam’s life, my personal experiences as a filmmaker from London in South Africa, and the development of my relationship with this man. It is concluded that this visual medium should be appropriated by Muslims in order to aid storytelling, and to give an accurate representation of their identity, rituals and beliefs to the rest of the world.
INTRODUCTION
In this article I will be discussing the process and pitfalls of the production of a documentary around a South African icon - Imam Abdullah Haron. A temporal and spatial account of the Imam’s context will serve to introduce the man, his ideals, his generous gifts to the community, and his death...
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Common topics in this essay:
- Muhammad Ibn Abdullah: Good or Bad? You Decide
- Fatma Abdullah Rifaat-Short Story Extraordinaire
- The Political Approach THE PRINCE
- Dutch insurer to fight flab with margarine subsidy
- Political Prisoners Around The World
- cape breton unions
- Enslaved Women
- How did the Hindu-Muslim divide affect the nationalist movement in India in the late nineteenth and early twentieth centuries?
- Political Graffiti - Paris in the late 1960s
- Africans Enslaved
- Documentary films have played an important part in determining the way we construct history and memory. In what ways do documentary films dealing with the holocaust determine contemporary understandings of that historical event?
- TOWARDS MAKING A DOCUMENTARY ON THE LATE IMAM ABDULLAH HARON
- Muslim and Non Muslim Laws
- identity formation and oppression of muslim culture
- Political prisoners
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