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To toe this line of interpretation goes to mean that the director of the film is the creative intelligence who shapes the entire film in a manner parallel to how we think of literary works being authored.
In his essay, ‘Notes on The Auteur Theory in 1962,’ Andrew Sarris, one of the key proponents of Auteur theory corroborates the above position as he posits that one of the premises of the Auteur theory is the distinguishable personality of the director as a criterion of value. He argues:
Over a group of films, a director must exhibit certain recurrent characteristics of style, which serve as his signature...
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