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Regardless of how violently depicted the aforementioned incident was, it is the female's inevitable exclusion through sound and language that leads to her inevitable downfall, displaying both films' attempts "to appropriate femininity and to destroy it", alluding to Modelski's curious comparison of "sympathy and misogyny" (110).
It is this very comparison therefore that is the key to understanding why exactly the figure of the woman is so victimized. Despite the severity of the discrimination, and how it is depicted in either film, there appears to be an underlying sympathy due to the lack of communication the female has within "the man's world" due to the individual's exclusion from sound, as Yacowar states in his analysis of Blackmail, stating that "It works as a brilliant examination of the limits and problems of human communication" (103)...
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