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Essay text:
Zhang Yimou's fourth film, Raise the Red Lantern, is the last of
a trilogy (Red Sorghum [1987] and Judou [1990] are earlier instalments) that is deeply critical of Confucianism and
Chinese culture. The film was banned in its home country and never made it to the silver screen in China; after the
ban was lifted, it was "marginalised" and only shown on television.
According to Sheldon Lu, the Fifth Generation filmmakers (such as Chen Kaige, Tian Zhuangzhuang and Zhang) were part
of a nationwide intellectual movement that swept China in the mid- and late 1980s, and embarked on a cultural
critique of the deep structure of the Chinese nation: "their (the Fifth Generation filmmakers') frequent deployment
of long takes, long shots, and deep focus, are anguished, self-reflexive, slow-paced, scathing critiques of
entrenched patterns of traditional Chinese culture" (3)...
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