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The department's debut production was Kiarostami's own first film, the twelve-minute Bread and Alley, a charming, neo-realist gem about a small boy's perilous walk home from school. The department would go on to become one of Iran's most famous film studios, producing not only Kiarostami's films, but also such modern Iranian classics as The Runner and Bashu, the Little Stranger.
Though Kiarostami's films have been compared at various times to those of Satyajit Ray, Vittorio de Sica, Eric Rohmer, or Jacques Tati, they remain uniquely Kiarostamian. Effortlessly simple and conceptually complex in equal measure; poetic, lyrical, meditative, self-reflexive and increasingly sophisticated, they mix fiction and documentary in unique ways, often presenting fact as fiction and fiction as fact...
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