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As the scene progresses and Marion's mind delves deeper into thought, the cuts between her and the road grow more frequently and the length of each shot decreases. This temporal technique of frequency helps to build intensity. At the end of the scene, we are given a final longer shot of the road as we see the Bates Motel come into view, emphasizing its probable importance in the upcoming plot.
Other less obvious editing techniques filled the driving scene as well. A spatial editing technique was used to make the connection between the two recurring shots. By alternating between medium close-ups of Marion to a first-person view of someone driving a car, the viewer infers that when we see the road it is through Marion's eyes...
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