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Essay text:
In Chungking Express, the multicultural musical fare is in full swing. From the Bollywood-esque tunes used in the Chungking Mansions sequence to the chilled out Jamaican music used in the bar, Wong Kar Wai uses world music to great effect, anchoring our perceptions of times and places in the film to the film soundtrack. Even the languages spoken intermix freely (Brunette 2005). In the scene where #223 meets Briggite Lin’s smuggler character, he asks her in four different languages, “Do you like pineapple?” This pastiche of music, together with the film’s striking visual imagery, provides the viewer with a ‘sonic tapestry’ evoking a polyglot culture that is very much the Crown Colony (Brunette 2005), its rhythmic presence in the construction of shots alluding to Wong’s musical sensibility (Wright 2002)...
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