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He then continues the theme with variation until the consequent phrase which is completely different from the first consequent phrase. This new consequent has not only faster rhythmic
movement but also compressed harmonic rythym. This tension prepares the listener for the textural shift that is about to occur. The Bridge begins with 16th note arpeggios in the bass, a contrast to the quarter note dominated bass of the first theme. Unlike a typical bridge section which modulates far from the original key, this bridge just moves from I to V7 for several bars before going to ii. Then, rather than using the ii in a familiar ii-V7-I cadence, the ii is arpeggiated for an entire bar in the melody...
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