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However, when Nancy runs back into school she hides in dark and dingy areas which casts lots of shadows in the background of shots. This creates more suspense for the viewer as they can’t see if any threats are in the surrounding area. Lee Thompson also uses chiaroscuro lighting on Nancy’s face when she’s hiding, which with the contrast of the shadows creates sublimated tension.
In the 1991 Martin Scorsese version the lighting is used in a different way. He uses chiaroscuro lighting on villains (Max‘s) face instead of the victim (Danielle). He only shines the light on half of Max’s face, giving a sense that he’s hiding something and not fully showing his character...
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