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He studied the double bass first with Red Calendar and then five years with Herman Rheinshagen, principal bassist of the New York Philharmonic; and studied also compositional techniques with the legendary Lloyd Reese. These years of study laid a foundation for his technique. The young Mingus also absorbed first hand the vernacular music from the great jazz masters.
Mingus began as a "serious" composer, as steeped in Stravinsky and Schoenberg as in Ellington. Although he wrote his first concert piece, "Half-Mast Inhibition," when he was seventeen years old. A 22-piece orchestra did not record it until twenty years later...
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Common topics in this essay:
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