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Instead of relying on practiced lines full of constant notes, he aims to create tunes in his solos. Many times, the notes he does not play are just as important as the notes he does play. Davis would often present a motif, and then repeat it, and develop on it. This gave his solos a feeling of unity. For example, the piece “New Rhumba,” featured on the Miles Ahead album, includes some very complicated chord changes. Davis begins by playing base notes of the chord, and augments them with chord extensions. Davis then introduces a theme, around which he will center his solo. Each time he plays the theme it is slightly varied in rhythm and in the notes themselves...
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