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He uses an incredible array of techniques and elements from cinema not only to entertain the audience, but also convey his message and convince the audience in an often very subversive way. The two texts in particular I am looking at are ?Bowling for Columbine' (BFC) and ?Fahrenheit 9/11' (F9/11).
One of the standout elements that Michel Moore (MM) uses to manipulate the audience in his films is montage. Montage is a series of seemingly unrelated shots cut together rapidly often with a common song or V/O to make an entirely new point or to show the passage of time. He uses it not only to draw laughs and ironic symbolism, but also to shock and evoke emotion, to convince the viewer of his opinion in a fast, effective and entertaining way...
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