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Orson Welles and Greg Toland, the cinematographer, both were considered to be revolutionaries in their time. Always trying to stretch their respective fields and experiment whenever possible, both kept pushing the envelope in order to see just how far they could go. With Welles and Toland now paired together, the possibilities were endless. Citizen Kane's use of deep focus, "permitting all distance planes to remain clearly in focus," (Gianetti, 551) was something new and different for the moviegoers of 1941. Toland and Welles' use of extreme angle shots with the camera express and promote the symbolism that lay beneath the story...
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