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The story is told to the audience through the use of complex imagery, providing an aesthetic representation of the plot. Antonioni’s choice to abandon a conventional plot is a direct result of his intent to express and compliment the raw emotions of the characters through this aesthetically remarkable composition.
After the opening credits, the first scene fades in from black, revealing a long shot of Anna walking through a Roman arch in the villa. The next cut reveals a long shot of Anna’s father aligned with a solid dome in the distance, and other architecture from the past. As Anna crosses through the shot from right to left, the landscape reveals a row of modern condominiums...
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