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Instead, what took place was an intimate play-off between audience and performer that resulted in a much more profound experience for both parties involved. This is in fact a direct philosophy of Grotowski in that he was known for pioneering the technique known as ‘Poor Theatre’, a style that can be directly applied to Woza Albert.
Grotowski’s notion of Poor Theatre was that the performer’s concern was with the audience, not the stage design or lighting or any type of special effects. He summarizes it best in the quote: ‘By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc...
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Common topics in this essay:
- African American Theatre
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