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He goes on to introduce his subjects, his three friends, one by one. He gives and introductory note to each subject prior to their self-introduction, allowing us to know what he thinks of them. The subjects themselves then start to introduce themselves to the audience. This dual introduction from Rouch and the subjects themselves allows the audience to have more than one account about each individual subject, hence providing perspective.
Looking at the filmmaker-subject relationship, we detect elements of ‘participatory cinema’. Rouch was concerned with showing his subjects the footages, teaming up with them and also included their own voices as commentary...
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