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This takes as to the first scene if the film, where a bar is transformed and “furnished” with sculpted nudes as tables, pornography and sexual images as wallpapers. Everything, even the music, becomes a continuous clockwork mechanism, a rhythm.
Kubrick is playing with the camera, using tracking shots to open the scenes, like the low-angle spin around the record-shop and the scene with the psychiatrist and her trolley, sweeping through the wards. He is even holding a hand-held camera by himself, when he was filming scenes of urgency and impending disaster, like when Alex is fighting with the old lady that kills and gets caught...
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Common topics in this essay:
- Stanley Kubrick
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