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Often, I will hear in discussion among opera enthusiasts, "Pinkerton has got to be one of the most hated characters in opera and, from a performer's perspective, one of the least appreciated roles when it comes to audience's reactions at the end of a show." His behavior is certainly one of many factors that contribute to the sad conclusion of the story. Yet his is the "all the world is my playground" view typical of the somewhat imperialistic America of the early 20th century. He represents a society that easily regards foreign cultures of exotic novelties, as if the entire globe were a theme park...
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