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I suspect that if a scholar were to approach the question of how to research, write, and teach the history of graphic design, he or she may begin with a careful consideration of audience. What constitutes an audience for the history of graphic design? Do multiple audiences exist? What are the constitutive aspects that make up an audience member? What are his or her qualifications? And, what determines the appropriate knowledge base for potential audience members?
In his 1984 article, “The State of Design History, Part I,” the historian and theorist Clive Dilnot observes that design history was introduced into design curricula because of its perceived "important pedagogic role" in studio instruction...
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Common topics in this essay:
- Paul Rand: Father of Modern Graphic Design
- Graphic Design
- Graphic Design as it Relates to Constructivism
- graphic design in the postmodern era
- advertisng vs, graphic design
- Consider the role of advertising as part of graphic design in the 20th Century
- deconstruction and graphic design
- Graphic Design In Society
- Graphic Designers
- THE REASON OF WHY RESEARCH IS VERY IMPORTANT IN GRAPHIC DESIGN PROCESS
- The History of Graphic Design and Its Audiences
- The Job Of A Graphic Designer
- Graphic Design
- Graphic Software
- Technology in Graphic Design
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