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As Helen Appleton Red described the Exposition Internationale des Arts Decoratifs et Industriels Modernes, "The Exposition marks the coming of age of a new decor...as inevitable a manifestation of the forces of evolution as modern art...passing through the Porte d'Honneur one comes...upon a cubist dream city...its cubist shapes and futurist colors...looking like nothing so much as a Picasso abstraction..."
The impact of the avant-garde on all aspect of the decorative arts may seem surprising to some. Before the 1930s knowledge of this new art was exclusively through collectors, dealers, curators and various enthusiasts; outsiders viewed the work as alien or even threatening to established societal traditions and values...
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