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Bernini’s niches, and the design of St Peters square are also significant during this period as a visual expression of the church’s rule.
Artists in the service of the church needed to conform and apply their artworks and designs in such a way that it upheld the objective of the church in its Counter Reformation state. Artists concerned with religious imagery had to ‘comply with some of the obvious demands of counter-reformatory decorum.’ The Papacy changed its selection in its representation of the church (such as how images are presented, the modes of representation, and subject and iconography choice) as an embodiment of itself, its authority, its power, its ideals and majesty...
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