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In terms of where Yolngu Boy sits within a broader spectrum of the politics of representation, this is encapsulated in the fact that the film does not deal at all with racial conflict. Yolngu Boy's story and characters derive from within the Yolngu community, in which white people appear infrequently, and when they do, the filmmakers treat it nonchalantly, for example, when icon Jack Thompson appears it is a completely modest and underplayed moment. The most notable examples in Australian cinema history which feature indigenous characters - Charles Chauvel's Jedda (1955), Nicholas Roeg's Walkabout (1970), and Phil Noyce's Backroads (1977) -explore their indigenous characters via inter-racial relationships...
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