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Along with this, we watch as he attends group meetings for illnesses he does not have; were he meets Marla. From there, we unknowingly watch the narrator then "create" his alter ego; which further complicates his relationship with Marla.
Marla and Tyler create the classic struggle of the Freudian Oedipal Theory. Figuratively speaking, sex with the symbolic mother and killing his "personal" father. The narrator introduces both a father figure as well as becoming that father when he "splits" himself in two. The Freudian theme also exemplified in the scene where Tyler shakes lye powder on the narrator's hand and forces him to endue the chemical burn...
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