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When he was twelve, he left home and joined Billy Kersands's famous minstrel show as a singer. Shortly thereafter, he became the troupe's master of ceremonies.
On Williams's return to New Orleans, he started a suit- cleaning service for the many style-conscious piano professors in that city. He began playing piano in the honky-tonks of New Orleans's Storyville. In this legendary red-light district, Williams, a man not noted for his modesty, admitted that he was overshadowed by Tony Jackson, the influential rag pianist who wrote Pretty Baby. Williams also played professionally with Sidney Bechet and Bunk Johnson, two future jazz stars...
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