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Discussions on whether mainstream or avant garde cinema is a closer form of reality are still based on the infamous Lukacs and Brecht debates ? two principal theorists of realism within the Marxist tradition. I will be linking ?Divine Intervention' - a modern day experimental film by director Elia Suleiman - to these foundations and verifying that this film meets the Brechtian criteria for a realistic medium of art. The aim for both of these Marxists' was that art should go beyond the surface of things - activating amongst the masses resistance against fascism. Despite this common denominator, the differences between Lukacs and Brecht differed greatly...
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