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Cezanne broke away from Impressionism because of the lack of composition; he felt the desire to depict subjects in the third dimension as well as appearing flat. Cezanne did not agree with the Impressionistic trait of portraying the world through light, instead, he built up images by a generous use of colour. Cezanne would distort objects and his works would often consist of numerous viewpoints on the one canvas.
Cezanne worked with and was greatly influenced by other Impressionists he associated with, including Degas, Monet, Pissarro and Renoir. It was Pissarro who guided Cezanne and convinced him to break up the colour and use shorter brush strokes when painting; among Cezanne's friends, Pissorro was the only one patient enough to teach him...
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