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The bark of the tree receives character and shape from longer, slightly curved, contour lines. The edges of the tree are contrasted from other objects in the painting by the use of dark black lines that lend to the tree's well-defined shape. Thin black lines form houses in the background, while thicker lines make up smokestacks that protrude amongst the trees and buildings. From a macro view, implied lines divide the painting into three sections with a 50/25/25 ratio starting from the bottom. The implied divisional lines consist of the foremost beach and the horizon above the peninsula and sea...
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