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Censorship is an all too common plight of the art community; pieces are censored because they are deemed offensive, irreverent, or just plain misunderstood. Dennis Oppenheim has first-hand experience with the wrath of censors; his artistic tenure has suffered from many of his adversaries' attempts to hide his works from the public eye.
When the President of Stanford University, John Hennessy, rejected Device to Root out Evil, an outdoor piece Oppenheim had made, Oppenheim suffered such censorship. The piece Stanford had intended to acquire was Oppenheim's second reproduction of a piece he created for the 1997 Venice Biennale...
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