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What Lumiere did was that he captured the setting, the performers and all his subjects as they are or as they were perceived in their actual sense. Likewise, Edison's stories dwelled on the real world such that he captured human movements, romance, boxing, cockfighting as they happened, with only the difference of having his shots done indoors, unlike Lumiere, who did most of his shots outdoors. Both directors, Lumiere and Edison, possessed no complexity in their works because of the absence of a storyline. Both also used the camera as a mere recorder of events. Hence, films during this epoch were short, plain and non-narrated...
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