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Four styles of jazz ? free, mambo-inflected, hard bop, and, at the end, fabulous early bop with sudden stops ? accompanied the making of that collage."
Towards the end of the 1970s, Jean-Michel Basquiat whose nom de plume at that time was SAMO was producing graffiti on street walls around Brooklyn, New York. It was a slightly different style of graffiti compared to that of the graffiti that clothed the New York subway trains. Rather than simply writing SAMO (which meant ?Same Old Shit') he included slogans which were implicitly political and drawings that were primitive in style yet complex in meaning...
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