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The female figure of c.650-625 B.C. (fig. 123) and a nude male youth of c.600 B.C. (fig. 124) are perfect examples of the use of symbols to convey meaning. These statues, Kore (maiden) and Kouros (youth) were produced in large numbers, all being virtually the same in outline. Their general names emphasised the need for the statues to remain unidentified and the lack of personal character. Some were placed on graves only to be viewed as representations of the deceased in the broadest sense (completely impersonal). And some were used as offerings, for example: for a favoured person like the victor in an athletic competition...
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